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Index
Cover
Title
Copyright
Foreword
Dedication
Contents
List of Contributors
1. Visualising the Neolithic: an introduction
2. Strange swans and odd ducks: interpreting the ambiguous waterfowl imagery of Lake Onega
3. ‘Noble death’: images of violence in the rock art of the White Sea
4. Reading between the grooves: regional variations in the style and deployment of ‘cup and ring’ marked stones across Britain and Ireland
5. Ben Lawers: carved rocks on a loud mountain
6. Living rocks: animacy, performance and the rock art of the Kilmartin region, Argyll, Scotland
7. The halberd pillar at Ri Cruin cairn, Kilmartin, Argyll
8. Painting a picture of Neolithic Orkney: decorated stonework from the Ness of Brodgar
9. Inside and outside: visual culture at Loughcrew, Co Meath
10. The figurative part of an abstract Neolithic iconography: hypotheses and directions of research in Irish and British Passage tomb art
11. Assuming the jigsaw had only one piece: abstraction, figuration and the interpretation of Irish Passage tomb art
12. Composing the Neolithic at Knockroe
13. The circle, the cross and the limits of abstraction and figuration in north-western Iberian rock art
14. The Grimes Graves Goddess: an inscrutable smile
15. The life and death of Linearbandkeramik figurines
16. ‘The ‘no’s’ to the left have it!’: sidedness and materiality of prehistoric artefacts
17. The shell, the pin and the earring: Balkan Copper Age mortuary costumes in context
18. Trapped in postures
19. Discussion: personality and Neolithic visual media
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