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Index
Half title page Cambridge Companions to Music Title page Copyright page Contents Notes on contributors Acknowledgements Introduction: opera studies today Part I Institutions
1 Opera, the state and society 2 The business of opera 3 The operatic event: opera houses and opera audiences
Part II Constituents
4 ‘Too much music’: the media of opera 5 Voices and singers 6 Opera and modes of theatrical production 7 Opera and the technologies of theatrical production
Part III Forms
8 The dramaturgy of opera 9 Genre and poetics 10 The operatic work: texts, performances, receptions and repertories
Part IV Issues
11 Opera and gender studies 12 Opera and national identity 13 ‘An exotic and irrational entertainment’: opera and our others; opera as other
Further reading Index
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