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Index
Cover
Half title
Title
Copyright
Contents
List of Illustrations
Introduction
Part I. Stereotype Theory: Concepts, Perspectives, and Controversies
1. The Stereotype in Psychology and the Humanities
2. Some Aspects and Levels of Stereotypization in Film
3. The Intellectual Viewpoint Versus the Stereotype in Mass Culture
Part II. A Discourse History: The Topic of the “Stereotype” Throughout Film Theory
4. Prelude: Walther Rathenau‘s Cultural Criticism, Hugo Münsterberg‘s Euphoric Concept of Film as Art, and the Neglect of the Stereotype
5. Béla Balázs‘s New Visual Culture, the Tradition of Linguistic Skepticism, and Robert Musil‘s Notion of the “Formulaic”
6. The Readymade Products of the Fantasy Machine: Rudolf Arnheim, Rena Fülöp-Miller, and the Discourse on the “Standardization” of Film
7. The Stereotype as Intelligible Form: Cohen-Saat, Morin, and Semiology
8. Irony and Transfiguration: The Postmodern View of the Stereotype
Part III. Film Analysis: Critique and Transfiguration–Three Case Studies
9. Mccabe and Buffalo Bill: On the Critical Reflection of Stereotypes in Two Films by Robert Altman
10. Enjoying the Stereotype and Intense Double-Play Acting: The Performance of Jennifer Jason Leigh in The Hudsucker Proxy
Epilogue
Notes
Bibliography
Filmography
Index
Series List
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