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THE MISSING For the victims of Grenfell HAIBUN FOR THE LOOKERS FOURTEEN TO ONE THE PORTRAIT MUSEUM BLAME THE FATHER GHOSTS DOPPELGANGER DOLLS THE BOYS LIGHT FIREWORKS ON THE GROUND FLOOR OF GARDINER HOUSE ESTATE THE JOB OF PARADISE II ( SOME ) SWEAT WOKE BLACK ANTHURIUM ( From an historical fact told to me by Professor Oswald Glean Chase of Howard University ) SLAVERY LIMERICK WINDRUSH BLACK OLIVE BOB MARLEY IN BRIXTON BOTTLES FLYING IN SLOW MOTION AT THE POLICE BEWARE IT SOON COME WALK WITH ME ASHES TO FIRE THE DARKENING RED OF YOUR BLOOD THERAPY DAY MOON For Black Men’s Walking group who walk the Yorkshire Dales . A JOURNALIST REPEATEDLY ASKS ME ABOUT RACE AND IF I SPEAK OF PARADISE III CITIZEN I CITIZEN II CITIZEN III IV ON SADE THERE’S NOTHING LIKE THIS : FACTS ABOUT OMAR Dedicated to Omar ASCENSION For John Coltrane THE HUMAN CANVAS For Mark Rothko STUBB’S WHISTLEJACKET THE CHAMPION’S FINAL RUBBING DOWN PORTRAIT OF MY GREAT GRANDMOTHER AS THE SUBJECT OF GERICAULT’S MONOMIE L’ENVIE A YOUNG GIRL WITH A DOG AND A PAGE Bartholomew Dandridge , ca . 1725 , Oil on canvas , 48 x 48 inches ( 121.9 x 121.9 cm ) THE EVER CHANGING DOT For Stuart Hall CORBEAUX MIDWINTER THE CROW PALINODE GIANT MACAJUEL COMPLEXITY PARADISE V GRACE ON NURSES PRAYER REPAST ON WHISTLING NOAH SAINTS LIVER SHANDILAY BUSH After Louise Gluck MARACAS BEACH PRAYER A PORTABLE PARADISE
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