Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Title
Copyright
Dedication
Contents
Notes on Contributors
Acknowledgements
Introduction Havi Carel and Greg Tuck
Part I Deep Focus - Approaches to Film-Philosophy
1 On the Possibility of Cinematic Philosophy
2 Re-enfranchising Film: Towards a Romantic Film-Philosophy
3 Notes on Stanley Cavell and Philosophical Film Criticism
4 Broken Glass by the Road: Adorno and a Cinema of Negativity
5 Film Can’t Philosophise (and Neither Can Philosophy): Introduction to a Non-Philosophy of Cinema
Part II Wide Angles - The Boundaries of Film-Philosophy
6 The Loom of Fate: Graphic Origins and Digital Ontology in Wanted
7 Film, Literature and Non-Cognitive Affect
8 Theory as Style: Adapting Crash via Baudrillard and Cronenberg
9 The Ghost is the Machine: Media-Philosophy and Materialism
10 Art, Cinema, Sex, Ontology: Maurice Merleau-Ponty and the In-visible of Cinema
Part III Directors Cut - Readings in Film-Philosophy
11 Fleshing Out the Image: Phenomenology, Pedagogy, and Derek Jarman’s Blue
12 Serious Men: The Films of the Coen Brothers as Ethics
13 A Bleak Burlesque: Michael Haneke’s Funny Games as a Study in Violence
14 In the Grip of Grief: Epistemic Impotence and the Materiality of Mourning in Shinya Tsukamoto’s
Index
← Prev
Back
Next →
← Prev
Back
Next →