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Index
Cover
Half Title
Title Page
Copyright Page
Table of Contents
Acknowledgements
Introduction
Bibliography
PART ONE THEORIES AND PRACTICES
Romantic Aesthetics
1. Review Essay, E. T.A. Hoffmann’s Musical Writings (1991)
2. Criticism, Faith, and the Idee: A.B. Marx’s Early Reception of Beethoven (1990)
Interpreting Historical Theory
3. Musical and Intellectual Values: Interpreting the History of Tonal Theory (1993)
4. Method and Motivation in Hugo Riemann’s History of Harmonic Theory (1992)
5. A.B. Marx and the Gendering of Sonata Form (1996)
6. Models of Music Analysis: Form (2002)
The State of Play: Approaches to Criticism and Analysis
7. The Criticism of Analysis and the Analysis of Criticism (1992)
8. Theorists and ‘The Music Itself’ (1997)
9. How Music Matters: Poetic Content Revisited (1998)
PART TWO IMPACT AND EFFECT: CRITICAL TAKES ON CANONIC COMPOSERS
Haydn, Mozart, Beethoven
10. The Second Nature of Sonata Form (2001)
11. Haydn and Humor (2005)
12. Mozart’s felix culpa: Così fan tutte and the Irony of Beauty (1994)
13. On the Beautiful in Mozart (2005)
14. Our Sublime Ninth (1996)
15. The Four Ages of Beethoven: Critical Reception and the Canonic Composer (2000)
Schubert, Schumann
16. Schubert and the Sound of Memory (2000)
17. Landscape as Music, Landscape as Truth: Schubert and the Burden of Repetition (2005)
18. Novel Symphonies and Dramatic Overtures (2007)
Index
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