The Art of Illustration by Sullivan, Edmund J. -- Read -- Imperial Library of Trantor

Index

Cover Title page Copyright Introduction Note and Acknowledgments Contents I The Art of Illustration II Whistler on the Content of Art III Purely Pictorial Art IV Thought Forms and Colours V Automatic Drawing and the Power of Suggestion VI Object and Subject VII Vivid Vision of Facts VIII Form and Line IX Symbolism X Cartoons XI Study of Style XII Consistency with Original Impulse Essential in Art XIII Flexibility of the Pen Line XIV Composition and the Principle of Groups XV On the Use of Models XVI Phil May and Beardsley XVII Botticelli and Progressive Interest XVIII Sandys and Boyd Houghton XIX Blake XX Millais and the Illustration of Verse XXI Doré and Scale XXII Reduction of Drawings by Process XXIII Some Limitations and Possibilities in Black and White Convention XXIV Suggestions to be found in Copperplate Engraving for Pen Drawing XXV “Line” and Lines XXVI Methods of Tone Drawing XXVII Coloured Illustration and “Make-up” XXVIII Authors and Illustrations XXIX Transitional Times and Opinions XXX Truth to Life XXXI Blake on Imagination XXXII Emotional Quality of Vision XXXIII Great Literature not necessarily more inspiring than poor XXXIV Necessity for Accuracy of Reference to Text XXXV Illustration of Modern Plays XXXVI Children’s Books XXXVII The Print Room Index

Chief Librarian: Las Zenow <zenow@riseup.net>
Fork the source code from gitlab.