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Index
Introduction: Digressions on How Veronica Mars Saved My Career and, Less Importantly, My Soul ......
Welcome to Camp Noir ....................................................8
Story Structure and Veronica Mars ...............................20
Veronica Mars: Girl. Detective ......................................34
Daddy's Girl ....................................................................46
Daddy Dualities
On the Down-Low .........................................................72
The Noir of Neptune ......................................................82
Reality on Mars and Neptune .......................................94
"I Cannot Tell a Lie. And If You Believe That..." .......104
Lawless Neptune ..........................................................114
The New Normal ..........................................................124
The Duck and the Detective ........................................134
The United States of Veronica ....................................148
I'm in Love with My Car ..............................................160
Boom Goes the Dynamite ...........................................170
Innocence Lost ..............................................................184
From Golden Girl to Rich Dude Kryptonite ................194
The Importance of Not Being Earnest ........................204
Acknowledgments
So, with this new perspective, I hurried out, got the season one DVD of Veronica Mars, and had mysel
Sometimes the two mix evenly-I think camp and noir were in a dead heat when that freshman showed h
Veronica. There's no better place to start than with the teenage detective with the mostest, and at
But luckily, the you've-gotta-be-kidding-me superhero kitsch swoops in to save her. More clever than
On the other side, though, he's good for a heady shot of noir when it's needed, too. When Veronica m
Anyway, while the noir and the camp are pretty much in a dead heat at this point, it's Keith's sad,
Duncan Kane. Oh, holy mother of all that is holy, this is one dudede-noir. He found out his one true
He got girl, lost girl, got her back, lost her again. He knocked up another girl, who went into a
He escaped the country with Baby Noir, but was still close enough to order a hit on his sortabest-
In two seasons, the closest this guy got to a lighthearted moment was when he was pretending to be d
Logan Echolls. Heavy in the camp, the school's "obligatory psychotic jackass""
has surprisingly separated from the pack and become quite the leading man. Always living at one en
He rushed to Veronica's rescue when she was in danger from a teenage undercover cop, then made her
repeatedly came to Veronica's rescue at the beep of a text message. He beat up Logan on the bluff in
Aaron Echolls. The abusive, philandering, aging A-lister with a slight homicide problem gets bonus c
Most campified moment: Beating up Trina's boyfriend with a tiki torch.l6
Lynn Echolls. Here we have the buxom, collagen-lipped trophy wife who, despite having a full bottle
Jake Kane. Fairly nice for a gazillionaire, and he only cheats on his wife a little. Of course, he d
Celeste Kane. The long-suffering wife who really only exists to complain about her life and shoot Ve
Lilly Kane. A breath of camp air in the Kane mansion! From bopping around in the pool house with her
Dick Casablancas. This mop-haired, soulless rich boy might be as murderous as his little brother if
Veronica awakes in an abandoned refrigerator, the perfect domestic appliance.'
While Veronica and her father have had many reflections as a pair, Veronica herself had one main ref
The most inventive use of Mexico appeared in the convoluted but rewarding episode "Donut Run" (2-11)
more popular in the United Kingdom. If the Irish are harboring a long-simmering conflict with motorc
Finally, on the subject of private-eye databases, I find a lot of ads for these types of information
In credibility contests between 09ers and the regular folk, guess who comes out on top? When it's th
In that episode, titled "One Angry Veronica" (2-10), she ostensibly did the work of twelve men, re-i
still know that the viewpoint expressed is Mallard's (which, Tinsley is on record as saying, is pret
Cars as extensions of self, cars as symbols of power, freedom, and wealth-it's all amazingly well th
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