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Index
Cover
Series Page
Title Page
Copyright
Dedication
Contents
List of Illustrations
Acknowledgments
Introduction
1. Science’s Cinematic Method: Motion Pictures and Scientific Research
Early Scientific Filmmaking: An Overview
Bergson, Cinema, and Science
The Science of Work and the Work of Science
Brownian Motion and “the Space Between”
Nerve Fibers, Tissue Cultures, and Motion Pictures
2. Between Observation and Spectatorship: Medicine, Movies, and Mass Culture
The Multiple Functions of the Medical Film
Motion Pictures and Medical Observation
Time, Spectatorship, and the Will
3. The Taste of a Nation: Educating the Senses and Sensibilities of Film Spectators
Cinema and the Spirit of Reform
Children, Crowds, and the Education of Vision and Taste
“Cinematic Lesson Plans” in Elementary and Adult Education
4. The Problem with Passivity: Aesthetic Contemplation and Film Spectatorship
Agency and Temporality in the Aesthetic Experience of Cinema
Einfühlung, Identity, and Embodied Vision
The Politics of Contemplation
Conclusion: Toward a Tactile Historiography
Notes
Bibliography
Index
Series List
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