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Index
Acknowledgments
Preface
PART I
PROBLEMS
1
History, Historiography and Film
Three Problems of History on Film
History and Historiography
Conclusions
2
“One Big Medieval Mess”: Accessing the Middle Ages
Accessing the Middle Ages
Constructing the Middle Ages
Conclusions
PART II
PEOPLE
3
When Knights Were Bold: Those Who Fight
The Medieval Referent
Iconic Recreation
Paradigmatic Influences
Conclusions
4
The Power and the Glory: Those Who Rule
The Medieval Referent
Iconic Recreation of Kingship
Paradigmatic Construction of Kingship
The Land Without a King
Conclusions
5
Clergy and Saints: Those Who Pray
The Medieval Referent
The Priest
Monasticism in Film
Saints’ Lives in Film
Conclusions
6
Everybody Not Sitting on a Cushion: Those Who Work
The Medieval Referent
Iconic Recreations
Paradigms and Mass Signification
Conclusions
PART III
WORLDS
7
Constructing Medieval Worlds: Conventions, Inventions and Images
Conventions
Necessary Invention
Creating a Medieval Image
8
Guides to the Medieval Worlds
The Internal “Signs of Medieval-ness”
Physical Guides
Prologue as Guide
9
Authenticity and Accuracy in Medieval Worlds
A Standard Form of Criticism?
Material Worlds and the Historicon
The World as Forum
Accuracy vs. Authenticity
Pretextual Medieval Worlds
Conclusions
Glossary
Notes
Preface
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Glossary
Bibliography
Historical Film
Medieval Film
Classical Antiquity on Film
Critical Texts on Medieval History and Literature
Medieval Literature
Modern Literature with a Medieval Setting
Film Theory
Critical Theory
Historiography
Robin Hood
Joan of Arc
Iconography
Secondary Sources
Filmography
Filmography
List of Names and Terms
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