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Index
Cover
Half-title Page
Series
Title Page
The Editor
Dedication
Contents
General editors’ preface
Preface and acknowledgements
Introduction
Error and identity
The idea of error: ‘What error drives our eyes and ears amiss?’
Dim inwardness: ‘if that I am I’
Deceptive outwardness: ‘reverend reputation’
Metamorphosis: ‘Transform me’
The cultural world
Magic: ‘Dark-working sorcerers’
Language: ‘your words’ deceit’
Objects: ‘The chain, unfinished’
The marketplace and religion: ‘redemption – the money in his desk’
Time and marriage: ‘a time for all things’
Poetic geography, travel, Dark Ephesus
Genre and style
Different generic hats
Verbal shape-shifting
Technicalities in scansion
Sources and influences
Plautus
Italian cinquecento comedy
Apollonius: Gower and Twine
The Bible: Acts and Ephesians
Tudor drama
Allusions: Elizabethan urban writings
Staging
The ‘lock-out’ scene (3.1)
To double actors or not
Pacing
Early performances
Afterlife: image, stage and screen
Image
Stage: the Restoration and the nineteenth century
Stage: four twentieth-century productions and an adaptation
Stage: other modern productions and adaptations
Screen
THE COMEDY OF ERRORS
Scene 1.1
Scene 1.2
Scene 2.1
Scene 2.2
Scene 3.1
Scene 3.2
Scene 4.1
Scene 4.2
Scene 4.3
Scene 4.4
Scene 5.1
Longer notes
Appendices
1 Date of composition
External evidence
Internal evidence
2 The text and editorial procedures
The text
The Comedy of Errors in the First Folio
The printer’s copy: authorial ‘foul papers’? A text suitable for performance?
The printer’s copy: the question of performance venue
Editorial procedures
3 Casting and doubling
Doubling
Abbreviations and references
Abbreviations used in the notes, introduction and appendices
Works by and partly by Shakespeare
Editions of Shakespeare collated
Other works cited
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