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Index
Cover Half-title Page Series Title Page The Editor Dedication Contents General editors’ preface Preface and acknowledgements Introduction
Error and identity
The idea of error: ‘What error drives our eyes and ears amiss?’ Dim inwardness: ‘if that I am I’ Deceptive outwardness: ‘reverend reputation’ Metamorphosis: ‘Transform me’
The cultural world
Magic: ‘Dark-working sorcerers’ Language: ‘your words’ deceit’ Objects: ‘The chain, unfinished’ The marketplace and religion: ‘redemption – the money in his desk’ Time and marriage: ‘a time for all things’
Poetic geography, travel, Dark Ephesus Genre and style
Different generic hats Verbal shape-shifting Technicalities in scansion
Sources and influences
Plautus Italian cinquecento comedy Apollonius: Gower and Twine The Bible: Acts and Ephesians Tudor drama Allusions: Elizabethan urban writings
Staging
The ‘lock-out’ scene (3.1) To double actors or not Pacing
Early performances Afterlife: image, stage and screen
Image Stage: the Restoration and the nineteenth century Stage: four twentieth-century productions and an adaptation Stage: other modern productions and adaptations Screen
THE COMEDY OF ERRORS
Scene 1.1 Scene 1.2 Scene 2.1 Scene 2.2 Scene 3.1 Scene 3.2 Scene 4.1 Scene 4.2 Scene 4.3 Scene 4.4 Scene 5.1
Longer notes Appendices
1 Date of composition
External evidence Internal evidence
2 The text and editorial procedures
The text
The Comedy of Errors in the First Folio The printer’s copy: authorial ‘foul papers’? A text suitable for performance? The printer’s copy: the question of performance venue
Editorial procedures
3 Casting and doubling
Doubling
Abbreviations and references
Abbreviations used in the notes, introduction and appendices Works by and partly by Shakespeare Editions of Shakespeare collated Other works cited
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