Log In
Or create an account -> 
Imperial Library
  • Home
  • About
  • News
  • Upload
  • Forum
  • Help
  • Login/SignUp

Index
Title page INTRODUCTION INTRODUCTION TO THE NEW EDITION INTRODUCTION TO THE REISSUE PREFACE TO THE TRANSLATION ESSAY OF A METHOD FOR PLAYING THE TRANS VERSE FLUTE DEDICATION PREFACE INTRODUCTION . Of the Qualities Required of Those Who  Would Dedicate Themselves to Music CHAPTER I . Short History and Description of the Transverse Flute II . Of Holding the Flute, and Placing the Fingers III . Of the Fingering or Application , and the Gamut or Scale of  the Flute IV . Of the Embouchure V . Of Notes, their Values, Metre, Rests, and Other Musical  Signs VI . Of the Use of the Tongue in Blowing upon the Flute S ECTION I: Of the Use of the Tongue with the Syllable ti or di S ECTION II: Of the Use of the Tongue with the Word  tiri S ECTION III: Of the Use of the Tongue with the Word did’ll , or the so-called Double Tongue S UPPLEMENT : Several Remarks for the Use of the Oboe  and Bassoon VII . Of Taking Breath, in the Practice of the Flute VIII . Of the Appoggiaturas, and the Little Essential Graces  Related to Them IX . Of Shakes X . What a Beginner Must Observe in His Independent Practice XI Of Good Execution in General in Singing and Playing XII . Of the Manner of Playing the Allegro XIII . Of Extempore Variations on Simple Intervals XIV . Of the Manner of Playing the Adagio XV . Of Cadenzas XVI . What a Flautist Must Observe if he Plays in Public  Concerts XVII . Of the Duties of Those Who Accompany or Execute the  Accompanying or Ripieno Parts Associated with a  Concertante Part S ECTION I: Of the Qualities of a Leader of an Orchestra S ECTION II: Of the Ripieno Violinists in Particular S ECTION III: Of the Violist in Particular S ECTION IV: Of the Violoncellist in Particular S ECTION V: Of the Double Bass Player in Particular S ECTION VI: Of the Keyboard Player in Particular S ECTION VII: Of the Duties That All Accompanying  Instrumentalists in General Must Observe XVIII . How a Musician and a Musical Composition Are to Be  Judged BIBLIOGRAPHY APPENDIX BIBLIOGRAPHY II BIBLIOGRAPHY III INDEX OF THE MOST IMPORTANT MATTERS About the Author Copyright
  • ← Prev
  • Back
  • Next →
  • ← Prev
  • Back
  • Next →

Chief Librarian: Las Zenow <zenow@riseup.net>
Fork the source code from gitlab.

This is a mirror of the Tor onion service:
http://kx5thpx2olielkihfyo4jgjqfb7zx7wxr3sd4xzt26ochei4m6f7tayd.onion