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Index
Acknowledgments
Preface
Introduction
“Reading” Through Listening
Covering Cover Songs
Part One
1
National Anthems: “The Star-Spangled Banner”
Jimi Hendrix (Woodstock, 1969)
Whitney Houston (Super Bowl XXV, 1991)
2
The “Anti-Cover”: Punk and the Avant-Grade
Sid Vicious: “My Way” (The Great Rock ’n’ Roll Swindle, 1980)
The Residents: The Third Reich and Roll (1976)
Hardcore and the Anti-Cover
Part Two
3
“Satisfaction” and Rock: The Rolling Stones (Out of Our Heads, 1965)
The Anti-Beatles
“Satisfaction” as Manifesto
Under My Thumb: Altamont and Rock Totalitarianism
4
“Satisfaction” and Soul: Otis Redding (Otis Blue/Otis Redding Sings Soul, 1965)
Paint It Black: Race and Rock in the 1960s
Soul Brands: Motown and Stax
“Satisfaction” as Protest
5
“Satisfaction” and Punk: Devo (Q: Are We Not Men? A: We Are Devo!, 1978)
A Postmodern Protest Band (or, Anarchy in Akron)
“Satisfaction” as Deconstruction
Marketing Opposition
6
“Satisfaction” and Pop: Britney Spears (Oops! … I Did It Again, 2000)
The Lolita Next Door
Blond Alienation
“Satisfaction” as Commodity
Part Three
7
Music from the Waist Down: Covers, Gender and Sexuality
King Curtis: “Whole Lotta Love” (Single, 1970)
Van Halen: “You Really Got Me” (Van Halen, 1978)
The Flying Lizards: “Sex Machine” (Top Ten, 1984)
Kim Wilde: “You Keep Me Hangin’ On” (Another Step, 1986)
8
Black Musicians, White Songs: Race and Covers in the Late Counterculture Era
Rufus Harley: “Where Have All the Flowers Gone?” (Recorded in 1969; Released on Courage: The Atlantic Recordings, 2006)
The Isley Brothers: “Ohio/Machine Gun” (Givin’ It Back, 1971)
The Four Tops: “A Simple Game” (Single, 1972)
9
Dance with Laibach: Covers and the Critique of the Nation-State
The Laibach Project
NATO (1994)
The Dilemmas of Laibach
10
In with the Old: Covers and Generational Politics
The Midlife Crisis of Rock and Roll
Frank Sinatra: “Something” (Single, 1970)
“So Bad It’s Good”: Covers and Camp
Pat Boone: “Smoke on the Water” (In a Metal Mood: No More Mr. Nice Guy, 1997)
Johnny Cash: “Hurt” (American IV: The Man Comes Around, 2002)
Conclusion: The Politics of Listening
Chapter Notes
Introduction
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Conclusion
Bibliography
List of Names and Terms
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