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Index
Cover
Title Page
Contents
Dedication
Foreword by Mark Rylance
Author’s Note
Introduction
1 Why Verse?
2 Thoughts and Thought-units
3 The Thought Breaks
4 The Merchant of Venice: The Creation of a New Verse Form
5 Hamlet: A Play of ‘Highways’ and ‘Pop-ups’
6 Forms of Address, Verse Irregularities – and What They Tell Us
7 Measure for Measure: A Duologue to Work On
8 Why Prose?
9 Sounding Prose: Reason and Madness
10 Much Ado About Nothing: The Play of Verse-shy Characters
11 Rhyming Verse
12 To Rhyme or Not to Rhyme
13 Trusting Rhyme: Twelfth Night and All’s Well that Ends Well
14 Folio Punctuation
15 Macbeth: Deepening and Reviewing Our Work
16 The Winter’s Tale: Refining Our Work
17 Sounding Shakespeare
Appendix: My Comments on the Duologue in Chapter 7
Acknowledgements
About the Author
Copyright Information
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