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Index
Front Cover
Title Page
Copyright Page
Contents
Foreword by Mary Jane Jacob
Introduction
Chapter 1 | Public Art Fundamentals
Trend Spotting
Why Does the Government Buy Art?
Public Art Training
Chapter 2 | Start Here: Where to Find Public Art Competitions
How Public Art Agencies Find Artists
RFQs and RFPs
Persistence Pays
Chapter 3 | Anatomy of a Call for Artists: The Selection Process
Components of a Call
Deciding Whether to Apply
The Selection Process
Backstage at a Selection Meeting
Selection Criteria
Chapter 4 | Application Readiness
Digital Images
Resume
Annotated Image List
References
Support Material
Letter of Interest
Sample Letter of Interest
Tricks of the Trade
Chapter 5 | Congratulations! You’re a Finalist! (Now What?)
Questions to Ask Yourself
Questions to Ask the Project Manager
What Goes into a Finalist Proposal?
Presentation
Chapter 6 | Budgeting for Public Art Projects and Other Financial Survival Strategies
Business Practices for the Public Artist
Chapter 7 | Insurance: The Lowdown
Interview with Kristin Enzor
Performance Bonds
Health Insurance
Chapter 8 | Ask the Expert—Contracts Q&A
Negotiating the Contract
Types of Contracts
Specific Contract Clauses
Incorporation
Chapter 9 | Ask the Expert—A Primer on Copyright and Artists’ Rights
Copyright Basics
The Battle of US Artists for “Moral Rights”
Copyright Q&A
Visual Artists Rights Act (VARA), 17 U.S.C. § 106A (1990) Q&A
Chapter 10 | Working with Fabricators
Finding Fabricators
Working Well with Fabricators
Chapter 11 | Making the Leap
Inspirations and Influences
Act Locally
Show Up
Self-Educate
Experiment with Material Samples
No Experience Required
Artists-in-Residence
Murals
Creative Placemaking
Making a Difference
Chapter 12 | Voices of Experience
Bibliography
Acknowledgments
About the Author
Index
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