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Index
Front Cover Title Page Copyright Page Contents Foreword by Mary Jane Jacob Introduction Chapter 1 | Public Art Fundamentals
Trend Spotting Why Does the Government Buy Art? Public Art Training
Chapter 2 | Start Here: Where to Find Public Art Competitions
How Public Art Agencies Find Artists RFQs and RFPs Persistence Pays
Chapter 3 | Anatomy of a Call for Artists: The Selection Process
Components of a Call Deciding Whether to Apply The Selection Process Backstage at a Selection Meeting Selection Criteria
Chapter 4 | Application Readiness
Digital Images Resume Annotated Image List References Support Material Letter of Interest Sample Letter of Interest Tricks of the Trade
Chapter 5 | Congratulations! You’re a Finalist! (Now What?)
Questions to Ask Yourself Questions to Ask the Project Manager What Goes into a Finalist Proposal? Presentation
Chapter 6 | Budgeting for Public Art Projects and Other Financial Survival Strategies
Business Practices for the Public Artist
Chapter 7 | Insurance: The Lowdown
Interview with Kristin Enzor Performance Bonds Health Insurance
Chapter 8 | Ask the Expert—Contracts Q&A
Negotiating the Contract Types of Contracts Specific Contract Clauses Incorporation
Chapter 9 | Ask the Expert—A Primer on Copyright and Artists’ Rights
Copyright Basics The Battle of US Artists for “Moral Rights” Copyright Q&A Visual Artists Rights Act (VARA), 17 U.S.C. § 106A (1990) Q&A
Chapter 10 | Working with Fabricators
Finding Fabricators Working Well with Fabricators
Chapter 11 | Making the Leap
Inspirations and Influences Act Locally Show Up Self-Educate Experiment with Material Samples No Experience Required Artists-in-Residence Murals Creative Placemaking Making a Difference
Chapter 12 | Voices of Experience Bibliography Acknowledgments About the Author Index
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