Poetics Journal Digital Archive by Hejinian, Lyn, Watten, Barrett -- Read -- Imperial Library of Trantor

Index

Cover Title Page Copyright Contents How to Use This Archive Kathy Acker

Ugly

Pierre Alferi, Seeking a Sentence Michael Amnasan, The Eclipsing Function of Full Comprehension

Joe Liar, Chapter 4

Mike Anderson, Framing the Construals Bruce Andrews, Total Equals What: Poetics and Praxis Rae Armantrout, Chains

Mainstream Marginality On “Pythagorean Silence” The Person in My Work Silence

Dennis Barone, A Note on John Smith and “Philadelphia Newspapers Read Crossways”

John Smith, Philadelphia Newspapers Read Crossways

Susan [Laufer] Bee, Kahlo’s Gaze Dodie Bellamy, Can’t We Just Call It Sex?: In Memory of David Wojnarowicz

Days Without Someone

Franco Beltrametti, Normal Deep Person David Benedetti, Fear of Poetic (Social) Knowledge: Why Some People Don’t Like (Language) Poetry Andrew Benjamin, The Body of Writing: Notes on the Poetry of Glenda George Steve Benson, Close Reading: Leavings and Cleavings

Mediations in an Emergency Personal as Social History: Three Fictions

Steve Benson and Carla Harryman, Dialogue: Museo de antropología, Mexico Bill Berkson, Stick Alan Bernheimer, The Simulacrum of Narrative Charles Bernstein, Professing Stein / Stein Professing

Writing and Method

Richard Blevins, “The Single Intelligence”: The Formation of Robert Creeley’s Epistemology Bruce Boone, Kathy Acker’s “Great Expectations”

A Narrative Like a Punk Picture: Shocking Pinks, Lavenders, Magentas, Sickly Greens

David Bromige, Alternatives of Exposition

Philosophy and Poetry: A Note

Carolyn Burke, Without Commas: Gertrude Stein and Mina Loy Bruce Campbell, “But What Is an Adequate Vice to Limit the Liquid of This Voice”

“Elsewhere”?: “Beyond” Artaud, “Beside” Barthes

cris cheek Maxine Chernoff, The Fence of Character Abigail Child, The Exhibit and the Circulation

Outside Topographies: Three Moments in Film

Abigail Child and Sally Silvers, Rewire / / Speak in Disagreement William Corbett, Harwood / Walker and Raworth Margaret Crane and John Winet, From “This Is Your Life” Beverly Dahlen, Forbidden Knowledge

In Re “Person” From “The Tradition of Marginality”

Daniel Davidson, Bureaucrat, my love. Michael Davidson, Framed by Story

“Hey Man, My Wave!”: The Authority of Private Language Poetics of Everyday Life Seven Poems

Alan Davies, Close Reading Close Reading

Language/Mind/Writing Motor Mouth Or How Shall We Yet Catch Each Unmindful Eye Awake Strong Language

Lydia Davis, Coolidge’s “Mine”

Some Notes on Armantrout’s “Precedence”

Jean Day, Moving Object Ron Day, Form and the Dialogic Françoise de Laroque, What Is the Sex of the Poets? Jeff Derksen, North Of Arkadii Dragomoshchenko, The Eroticism of Forgetting

I(s) Syn / opsis / tax

Johanna Drucker, Close Reading: A Billboard

Hypergraphy: A Note on Maurice Lemaître’s “Roman hypergraphique” Women and Language

Mikhail Dziubenko, “New Poetry” and Perspectives for Philology Jerry Estrin, Cold Heaven: The Uses of Monumentality

Penultimate Witness: The Work of Emmanuel Hocquard

Steve Evans, Gizzi’s “No Both” Steven Farmer [Roberts], Reading Eye Lets Norman Finkelstein, The Problem of the Self in Recent American Poetry Norman Fischer, Corbett’s “Collected Poems” and Dahlen’s “A Reading”

Modernism, Postmodernism, and Values The Old City The Poetics of Lived Experience and the Concept of the Person

Allen Fisher, Poetics, Philosophy, and Difference

Postmodernism as Package

Connie Fitzsimons, The Oath Kathleen Fraser, Overheard Howard Fried, The Museum Reaction Piece Benjamin Friedlander, Laura Riding / Some Difficulties

Lyrical Interference

Ed Friedman, How “Space Stations” Gets Written Fred Frith, Helter Skelter Kathleen Frumkin, From “Some Strokes” Robert Glück, Baucis and Philemon

Fame His Heart Is a Lute Held Up: Poe and Bataille Truth’s Mirror Is No Mirror

Lanie Goodman, Georges Perec: Life Directions for Use Michael Gottlieb, Five Poems Paul Green, Literate Tones: The Recent Poetry of John Wilkinson Paul A. Green, Elsewhere Félix Guattari, Language, Consciousness, and Society

Text for the Russians

Barbara Guest, Shifting Persona Doug Hall, Forgotten Tyrant Carla Harryman, Toy Boats

What in Fact Was Originally Improvised

Carla Harryman and Chris Tysh, Interview with Carla Harryman Carla Harryman and Steve Benson, Dialogue: Museo de antropología, Mexico George Hartley, Althusser Metonymy China Wall

Jameson’s Perelman: Reification and the Material Signifier

Lyn Hejinian, An American Opener

La Faustienne Hard Hearts The Person and Description The Rejection of Closure Strangeness

Emmanuel Hocquard, From “The Cape of Good Hope” Paul Hoover, Domination: Public and Private Language Fanny Howe, Purgatory: All from Nothing

Silliman’s “Paradise”

Susan Howe, My Emily Dickinson: Part One

Robert Creeley and the Politics of the Person

Erica Hunt, Beginning at “Bottom” Inagawa Masato, For a Biography of the Redeemed: 1974–1976 Edie Jarolim, Ideas of Order Ilya Kutik, The Tormentor of Life George Lakoff, Continuous Reframing

The Public Aspect of the Language of Love

Yulia Latinina, Folklore and “Novoyaz” David Lloyd, Limits of the Language of Desire Pamela Lu, From “Intermusement” Bill Luoma, Astrophysics and You Jackson Mac Low, “Persia” / “Sixteen” / “Code Poems”

Pieces o’ Six—XII and XXIII Sketch Toward a Close Reading of Three Poems from Bob Perelman’s “Primer” Some Ways Philosophy Has Helped to Shape My Work

Tom Mandel, Codes/Texts: Reading “S/Z” Steve McCaffery, And Who Remembers Bobby Sands

The.

Duncan McNaughton, From the Empty Quarter William McPheron, Remaking Narrative Peter Middleton, The Knowledge of Narratives Laura Moriarty, The Modern Lyric

Sex and Language

Harryette Mullen, Miscegenated Texts and Media Cyborgs: Technologies of Body and Soul Kofi Natambu, The Multicultural Aesthetic: Language, “Art,” and Politics in the United States Today Bernard Noël, Poetry and Experience Alice Notley, Narrative Travis Ortiz, From variously, not then Robin Palanker Alexei Parshchikov, New Poetry Ted Pearson, The Force of Even Intervals: Toward a Reading of “Vernal Aspects”

“A Form of Assumptions” Some Remarks on Method Things Made Known Unit Structures

Bob Perelman, Exchangeable Frames

Good and Bad / Good and Evil: Pound, Céline, and Fascism Plotless Prose Three Case Histories: Ross’s “Failure of Modernism”

Delphine Perret, Irony Claire Phillips, Violent Acts Within Public Discourse Nick Piombino, Towards an Experiential Syntax David Plotke, Language and Politics Today Harry Polkinhorn, The Failure of a Postmodern Aesthetic Larry Price, Aggressively Private: Contingency as Explanation

The Contingency Caper Harryman’s Balzac

Dmitrii Prigov, Conceptualism and the West Herman Rapaport, Poetic Rests: Ashbery, Coolidge, Scalapino John Rapko, Of Persons as Persons

What Will Postmodernity Be?

Jed Rasula, On Rothenberg’s Revised “Technicians of the Sacred”

Rodefer’s “Lectures” What Does This Do with You Reading?

Stephen Ratcliffe, How to Reading Joan Retallack, Blue Notes on the Know Ledge Kit Robinson, Bob Cobbing’s Blade

Hayward Pleasanton and Embassy Suite Raising “Collateral” Time and Materials: The Workplace, Dreams, and Writing

Nick Robinson, Subtext in “Collateral” Jim Rosenberg, Openings—The Connection Direct: Personal Notes on Poetics Andrew Ross, The Death of Lady Day

The Oxygen of Publicity

Haj Ross, Poems as Holograms Lev Rubinshtein, Momma Was Washing the Window Frame Lisa Samuels, Two Poems Leslie Scalapino, Aaron Shurin’s “Elsewhere”

Pattern—and the ‘Simulacral’ Poetic Diaries Re-Living War / Poverty / Writing

Leslie Scalapino and Ron Silliman, What/Person: From an Exchange Andrew Schelling, Antin’s “Tuning” Peter Seaton, An Example from the Literature Gavin Selerie, From “Roxy” Lytle Shaw, Language Acquisition as Poetics: Notes on New Educational Writing James Sherry, Dreyer’s “Step Work” Viktor Shklovsky, Plotless Literature: Vasily Rozanov Aaron Shurin, As Known

The Irruptive Text Orphée: The Kiss of Death

Ron Silliman, Composition as Action

The Dysfunction of Criticism: Poets and the Critical Tradition of the Anti-Academy Migratory Meaning: The Parsimony Principle in the Poem “Postmodernism”: Sign for a Struggle, the Struggle for the Sign

Joseph Simas, Bernstein’s “Content’s Dream” Rod Smith, CIA Sentences Warren Sonbert, Narrative Concerns Nathaniel Tarn, Exile out of Silence into Cunning: Being Notes on Elsewhere and the Myths of Presence Télégrammes: Recent Quebécois Writing

denis aubin, fuzzyworld Claude Beausoleil, On the Edge of the Infinite Nicole Brossard, Like Number in the Distance Paul Chamberland François Charron, The World as Obstacle Michael Delisle, From “Vast Illuminations” michel gay, detachment André Gervais Philippe Haeck, Space Is Life Renaud Longchamps, The Scale of Beings France Mongeau, there then. André Roy, The Surrealist on the Prowl Claude Beausoleil, Modernities

Fiona Templeton, My Work Telling the Story of Narrative in It Lorenzo Thomas, The Marks Are Waiting Rodrigo Toscano, Early Morning Prompts for Evening Takes: Or, Roll ’em! Hung Q. Tu, Very Similitude Chris Tysh, Dead Letters: (6–12)

Interview with Carla Harryman

Andrew Voigt, Sound on Silence Diane Ward, The Narration Barrett Watten, The Literature of Surface

Missing “X”: Formal Meaning in Crane and Eigner On Explanation: Art and the Language of “Art-Language” The Politics of Style Robert Creeley and “The Person” Social Space in “Direct Address” What I See in “How I Became Hettie Jones” The XYZ of Reading: Negativity (&)

Hannah Weiner, Other Person Jason Weiss, Postmodernism and Music: The Reaches Robin Winters, Postmodern Means to Me That Modern Must Have Been a Very Important Movement Reva Wolf, Thinking You Know John Woodall, The Maze System John Zorn, Memory and Immorality in Musical Composition Ellen Zweig, Feminism and Formalism Poetics Journal Covers Acknowledgments and Permissions Contributor Index Volume Index Keyword Index

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