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Index
Cover
Half Title
Title Page
Copyright Page
Original Copyright Page
Dedication
Table of Contents
Foreword by Raymond Williams
Preface
Acknowledgments
Abbreviations
PART I General Introduction Structures and Genesis
1 Nineteeth-Century Problematics
A Romantics
B Post-romantics
2 Foundations of Modern Critical Theory
A Introduction: Hulme, Richards and Eliot
B T. S. Eliot
C I. A. Richards
3 Paradigm in Motion
PART II John Crowe Ransom The Critical Theory of Defensive Reaction
4 Introduction to John Crowe Ransom
5 Fugitive and Post-Fugitive
6 Agrarianism
A General Metaphysics: God Without Thunder
B Economics: I’ll Take My Stand
C Poetics: The World’s Body
i Philosophy of art against philosophy of science
ii Poetry as a form of knowledge
iii Mimesis, memory, and form
iv Sentiment
7 New Criticism
A The Rise of New Criticism
B The Novelty of New Criticism
C Ontological Criticism: The New Criticism
8 Conclusion to Ransom
PART III Northrop Frye The Critical Theory of Capitulation
9 Mythological Structuralism
A Introduction
B The Critical Universe
C The Poetic Universe
D The Verbal Universe
E Conclusion
PART IV Marshall McLuhan The Critical Theory of Counterrevolution
10 Introduction to McLuhan
11 Three Phases of Development
A McLuhan in the Tradition
B Phase One: 1936–51
C Phase Two: 1952–8
D Phase Three: 1959–
12 Technocratic Ideology of One-Dimensionality
A Technological Fetishism
B Cybernetic Reification: Idealist Materialism
C Stabilized History: the Apocalypse of Global Stasis
D Mind and Art: the Control Tower
13 Conclusion to McLuhan
A Secular Religion
B Appeal and Significance
PART V General Conclusion Struggle
14 Politics of Cultural Ideology
A Problematic of Positivity
B Problematic of Supersession
Appendices
A ‘How to Criticize a Poem’, Theodore Spencer
B Notes toward a Critique of McLuhan’s Polemic against Vision
Notes
Selected Bibliography
Index
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