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Index
Cover Half Title Title Page Copyright Page Original Copyright Page Dedication Table of Contents Foreword by Raymond Williams Preface Acknowledgments Abbreviations PART I General Introduction Structures and Genesis
1 Nineteeth-Century Problematics
A Romantics B Post-romantics
2 Foundations of Modern Critical Theory
A Introduction: Hulme, Richards and Eliot B T. S. Eliot C I. A. Richards
3 Paradigm in Motion
PART II John Crowe Ransom The Critical Theory of Defensive Reaction
4 Introduction to John Crowe Ransom 5 Fugitive and Post-Fugitive 6 Agrarianism
A General Metaphysics: God Without Thunder B Economics: I’ll Take My Stand C Poetics: The World’s Body
i Philosophy of art against philosophy of science ii Poetry as a form of knowledge iii Mimesis, memory, and form iv Sentiment
7 New Criticism
A The Rise of New Criticism B The Novelty of New Criticism C Ontological Criticism: The New Criticism
8 Conclusion to Ransom
PART III Northrop Frye The Critical Theory of Capitulation
9 Mythological Structuralism
A Introduction B The Critical Universe C The Poetic Universe D The Verbal Universe E Conclusion
PART IV Marshall McLuhan The Critical Theory of Counterrevolution
10 Introduction to McLuhan 11 Three Phases of Development
A McLuhan in the Tradition B Phase One: 1936–51 C Phase Two: 1952–8 D Phase Three: 1959–
12 Technocratic Ideology of One-Dimensionality
A Technological Fetishism B Cybernetic Reification: Idealist Materialism C Stabilized History: the Apocalypse of Global Stasis D Mind and Art: the Control Tower
13 Conclusion to McLuhan
A Secular Religion B Appeal and Significance
PART V General Conclusion Struggle
14 Politics of Cultural Ideology
A Problematic of Positivity B Problematic of Supersession
Appendices
A ‘How to Criticize a Poem’, Theodore Spencer B Notes toward a Critique of McLuhan’s Polemic against Vision
Notes Selected Bibliography Index
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