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Index
Cover
Halftitle
Title
Copyright
Dedication
Contents
Acknowledgement
Evocative Objects
Introduction
OBJECTS OF DESIGN AND PLAY
Tod Machover | My Cello
Carol Strohecker | Knots
Susan Yee | The Archive
Mitchel Resnick | Stars
Howard Gardner | Keyboards
OBJECTS OF DISCIPLINE AND DESIRE
Eden Medina | Ballet Slippers
Joseph Cevetello | The Elite Glucometer
Matthew Belmonte | The Yellow Raincoat
Michelle Hlubinka | The Datebook
Annalee Newitz | My Laptop
Gail Wight | Blue Cheer
OBJECTS OF HISTORY AND EXCHANGE
Julian Beinart | The Radio
Irene Castle McLaughlin | The Bracelet
David Mitten | The Axe Head
Susan Spilecki | Dit Da Jow: Bruise Wine
Nathan Greenslit | The Vacuum Cleaner
OBJECTS OF TRANSITION AND PASSAGE
William J. Mitchell | The Melbourne Train
Judith Donath | 1964 Ford Falcon
Trevor Pinch | The Synthesizer
Tracy Gleason | Murray: The Stuffed Bunny
David Mann | The World Book
Susan Rubin Suleiman | The Silver Pin
OBJECTS OF MOURNING AND MEMORY
Henry Jenkins | Death-Defying Superheroes
Stefan Helmreich | The SX-70 Instant Camera
Glorianna Davenport | Salvaged Photographs
Susan Pollak | The Rolling Pin
Caroline A. Jones | The Painting in the Attic
Olivia Dasté | The Suitcase
OBJECTS OF MEDITATION AND NEW VISION
Nancy Rosenblum | Chinese Scholars’ Rocks
Susannah Mandel | Apples
Jeffrey Mifflin | The Mummy
Michael M. J. Fischer | The Geoid
Robert P. Crease | Foucault’s Pendulum
Evelyn Fox Keller | Slime Mold
Sherry Turkle | What Makes an Object Evocative?
Notes
Selected Bibliography
Epigraph Sources
Illustration Credits
Index
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