Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Title page
Copyright page
Table of Contents
Foreword
Preface
I Introduction
1 Musicality as an Upbeat to Music: Introduction and Research Agenda
II Origins, Principles, and Constraints
2 Four Principles of Biomusicology
3 Five Fundamental Constraints on Theories of the Origins of Music
4 The Origins of Music: Auditory Scene Analysis, Evolution, and Culture in Musical Creation
5 Music as a Transformative Technology of the Mind: An Update
III Cross-Cultural, Cross-Species, and Cross-Domain Studies
6 Cross-Cultural Perspectives on Music and Musicality
7 Searching for the Origins of Musicality across Species
8 Finding the Beat: A Neural Perspective across Humans and Nonhuman Primates
9 Neural Overlap in Processing Music and Speech
10 Defining the Biological Bases of Individual Differences in Musicality
IV Structure, Affect, and History
11 Formal Models of Structure Building in Music, Language, and Animal Song
12 The Evolutionary Roots of Creativity: Mechanisms and Motivations
13 Affect Induction through Musical Sounds: An Ethological Perspective
14 Carl Stumpf and the Beginnings of Research in Musicality
Contributors
Index
← Prev
Back
Next →
← Prev
Back
Next →