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Index
Acknowledgments
Introduction
Chapter One On “Transition” as one of the Founding Principles of Cosmological Aesthetics and its Applications in the Kantian Sublime and Nietzschean Dionysian
Chapter Two On “Motion” as one of the Founding Principles of Cosmological Aesthetics with Regards to the Heraclitean, Kantian and Nietzschean Cosmology
Excursus A Cosmological-Aesthetic Analysis of Van Gogh’s Starry Night
Conclusion
Bibliography
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