From Reel to Deal by Simens, Dov S-S -- Read -- Imperial Library of Trantor

Index

WARNING! Acknowledgments 1: MEET YOUR TEACHER 2: RESOURCES AND TOOLS 3: PRODUCER 4: PRODUCING 5: INDEPENDENT VS. STUDIO 6: LOW-BUDGET 7: THE SCRIPT 8: OPTIONING AND HIRING 9: SCREEN WRITING, PART 1 10: SCREENWRITING, PART II 11: PROTECTION 12: FORM YOUR PRODUCTION COMPANY 13: FINANCING, PART I 14: FINANCING, PART II 15: BUDGETS 16: FILMMAKING 17: FILM STOCK 18: THE FILM LAB 19: THE CAMERA 20: EXPENDABLES 21: SOUND 22: LIGHTING AND GRIP 23: CRANE AND DOLLY 24: ABOVE-THE-LINE 25: DIRECTING 26: DEPARTMENT HEADS 27: PRODUCTION CREW 28: WHAT TO EXPECT 29: ART, PROPS, WARDROBE, AND MAKEUP 30: PERMITS AND INSURANCE 31: LOCATIONS 32: DAILIES, FX/STUNTS/CARS 33: PAPER WORK 34: FOOD AND CRAFT SERVICE 35: THE FILM IS SHOT 36: THE PICTURE EDIT 37: THE SOUND EDIT 38: MUSIC/SCORE 39: POST-SOUND 40: TITLES 41: FINISH THE MOVIE 42: FILMMAKING A–Z 43: PUBLICITY 44: FILMS FESTIVALS 45: FILM MARKETS 46: WINDOWS 47: CABLE AND VIDEO/DVD 48: THEATRICAL DISTRIBUTION 49: SELF-DISTRIBUTION 50: DIGITAL FILMMAKING 51: FAME AND FORTUNE ORDER FORM

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