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Index
Cover
Description
Roy Fisher: selected bibliography
Title Page
Dedication
CONTENTS
I
Wonders of Obligation
The Dow Low Drop
City
Hallucinations
A Furnace
The Cut Pages
The Ship’s Orchestra
II
The Collection of Things
Timelessness of Desire
In the Wall
The Mouth of Shade
The Square House, February
Near Garmsley Camp
Suppose –
Discovering the Form
Provision
At Once
Dusk
After Working
III
Epic
The Making of the Book
A Modern Story
‘Bing-Bong Ladies from Tongue Lane or This Introduction Needs No Poem
Sets
The Poetry of Place
On Not
On the Neglect of Figure Composition
Paraphrases
The Passive Partner
Freelance
Critics Can Bleed
The Dirty Dozen
On Reading Robert Duncan and Hearing Duke Ellington
Masterpieces in My Sleep
The Poetry Promise
The Nation
Hypnopaedia
Irreversible
Stop
Envoi
IV
Kingsbury Mill
Linear
Butterton Ford
The Thing About Joe Sullivan
The Only Image
The Memorial Fountain
A Sign Illuminated
One World
The Poet’s Message
Mother-tongue, Father-tongue
The Sidings at Drebkau
The Slink
Self-portraits and Their Mirrors
Going
Day In, Day Out
The Sky, the Sea
In the Visitors’ Book
The Mark
Releases
Toyland
Homilies
Aside to a Children’s Tale
Some Loss
The Time, Saturday
Corner
The Square House: April
White Cloud, White Blossom
The Open Poem and the Closed Poem
They Come Home
V
At the Grave of Asa Benveniste
You Should Have Been There
Songs from the Camel’s Coffin
Homage to Edwin Morgan
Processional
Emblem
Every Man His Own Eyebright
Staffordshire Red
Rules and Ranges for Ian Tyson
Poem Beginning with a Line by Josephine Clare
Drop on Drop
The Ticket-of-Leave Man
Style
The Toy
Epitaph
News for the Ear
Don’t Ask
When I’m Sixty-four
The Fisher Syndrome Explained with How to Stay Succumbed
And on That Note:
VI
Poem
Commuter
For Realism
It is Writing
The Hospital in Winter
Wish
From the Town Guide
The Sign
Necessaries
Artists, Providers, Places to Go
Upright
Colour Supplement Pages
In Touch
3rd November 1976
The Whale Knot
The Host
A Poem Not a Picture
Chirico
Mouth-talk
A Debt for Tomorrow
Without Location
A Song
Three Stone Lintels at Eleven Steps
Dark on Dark
The Lesson in Composition
Of the Empirical Self and for Me
The Home Pianist’s Companion
In the Black Country
A Working Devil for the Birthday of Coleman Hawkins
Quarry Hills
Barnardine’s Reply
Just Where to Draw the Line
Simple Location
If I Didn’t
From an English Sensibility
The Red and the Black
Item
VII
Interiors with Various Figures
Seven Attempted Moves
Handsworth Liberties
Matrix
Texts for a Film
Glenthorne Poems
The Six Deliberate Acts
Diversions
It Follows That
Metamorphoses
107 Poems
Five Morning Poems from a Picture by Manet
Three Ceremonial Poems
To the Memory of Wyndham Lewis
At No Distance
Stopped Frames and Set Pieces
Works and Days
VIII
Inscriptions for Bluebeard’s Castle
Correspondence
Top Down, Bottom Up
Five Pilgrims in the Prologue to The Canterbury Tales
Figures from Anansi Company
The Half-Year Letters
Also
IX
Studies
The Badger’s Belly-mark
The House on the Border
The Burning Graves at Netherton
The Running Changes
Cut Worm
Promenade on Down
A Poem To Be Watched
Noted
The Least
A Grammar for Doctrine
The Elohim Creating Adam
Leaving July
As He Came Near Death
Photographers’ Flowers
Magritte Imitated Himself
Last Poems
Report on August
Continuity
On the Open Side
Rudiments
Mystery Poems
Custom
The Intruder
The Flight Orator
Why They Stopped Singing
The Trace
Hand-Me-Downs
X
The Afterlife
On Spare Land
Somewhere along the Pool
Inner Voice
On the Wellingtonias at Pilleth
On Hearing I’d Outlived My Son the Linguist
Little Jazz
Target
Jumping the Gun
Impurities
False Winds
Sanctuary
Syntax
Plot
A Damp Night
The Skyline in the Wall Mirror
Dancing Neanderthal
At Brough-on-Noe
‘Adjectives’: the Novel; the Movie
Shocking Pink
Long Ago in a Town in the Provinces
Travel
Log
Of the Qualities
Hole, Horse and Hellbox: the Tabernacle Poems
Peeling
A Masque of Resistances: Dancing in Chains
The Run to Brough
Stops and Stations
Rattle a Cart
NOTES
ACKNOWLEDGEMENTS
Index of titles and first lines
About the Author
Copyright
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