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Index
Cover
Title Page
Copyright
Contents
Part One
A Judge Orders the Opening of Federico García Lorca’s Grave
Paul Celan’s Ashes
Church
Gods in the Attic
Barrel Cactus
Last Night
In the Cottonwoods
The Mud Angels, Mesilla, New Mexico
Las Brujas de La Mesa, New Mexico
Hummingbird on the Porch
Double Seasons
The Fields of La Mesilla
Antlers in the Tree, Livermore, Colorado
Teacher
Stone Cushion
Axis
They Call the Mountain Carlos
The Border Is a Line
One El Paso, Two El Paso
Landscape Is an Abstraction
Sticky Monkey Flowers, Monterey Bay
Part Two
Julio Cortázar’s Cat
Again
Give History a Chance
Driving Past a Missile Silo Near Langsden, North Dakota
The Lynching Postcard, Duluth, Minnesota
Fucking Aztecs, Palomas, Mexico
Burning Breast
Touch
Stone
The Donkey Cart Apparition, Las Truchas, New Mexico
Meditation at Canutillo
Lies
Crossing New Mexico with Weldon Kees
Snow Fields on Fire
To Be
The Sacred Fire
Cadets at the Virginia Military Institute Read Howl and Other Poems by Allen Ginsberg
The War Museum
The Destroyer of Compasses
My Nephew’s Army Helmet
Part Three
Three Unfinished Masterpieces
Max Ernst with His Collection of Kachinas, New York, 1936
René Char Paints on a Piece of Bark During a Night of Insomnia
The Soul Can’t Paint Itself
Bald Eagle North of Shelby, Montana
The Plain of Hooves
The Drums
Hospital
Nicanor Parra
Violins
17-Year-Old Robert Zimmerman Attends a Buddy Holly Concert in Duluth, Minnesota, January 31, 1959
Bob Dylan’s Newport Guitar
Duane Allman with the Cross
Captain Beefheart Leaves His Body
Invisible Guitar
Driving Around El Paso, Marvin Gaye’s “What’s Going On” Comes on the Radio
Zodiacal Light
The Face of the Sun
Hair
Max Jacob’s Leather Coat and the Possibility of Grief
Jack Kerouac Brings His Mother to the Mexican Border, 1957
Satellite
Two Hawk Skies in Minnesota
The Edge of the Wilderness, Northern Colorado
The Dance
I Once Knew the Black Rider
Hunchback
A Period of Ashes
The Theory and Practice of Love
The Riches
Acknowledgments
About the Author
Colophon
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