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Index
Cover Title Page Copyright Contents Part One
A Judge Orders the Opening of Federico García Lorca’s Grave Paul Celan’s Ashes Church Gods in the Attic Barrel Cactus Last Night In the Cottonwoods The Mud Angels, Mesilla, New Mexico Las Brujas de La Mesa, New Mexico Hummingbird on the Porch Double Seasons The Fields of La Mesilla Antlers in the Tree, Livermore, Colorado Teacher Stone Cushion Axis They Call the Mountain Carlos The Border Is a Line One El Paso, Two El Paso Landscape Is an Abstraction Sticky Monkey Flowers, Monterey Bay
Part Two
Julio Cortázar’s Cat Again Give History a Chance Driving Past a Missile Silo Near Langsden, North Dakota The Lynching Postcard, Duluth, Minnesota Fucking Aztecs, Palomas, Mexico Burning Breast Touch Stone The Donkey Cart Apparition, Las Truchas, New Mexico Meditation at Canutillo Lies Crossing New Mexico with Weldon Kees Snow Fields on Fire To Be The Sacred Fire Cadets at the Virginia Military Institute Read Howl and Other Poems by Allen Ginsberg The War Museum The Destroyer of Compasses My Nephew’s Army Helmet
Part Three
Three Unfinished Masterpieces Max Ernst with His Collection of Kachinas, New York, 1936 René Char Paints on a Piece of Bark During a Night of Insomnia The Soul Can’t Paint Itself Bald Eagle North of Shelby, Montana The Plain of Hooves The Drums Hospital Nicanor Parra Violins 17-Year-Old Robert Zimmerman Attends a Buddy Holly Concert in Duluth, Minnesota, January 31, 1959 Bob Dylan’s Newport Guitar Duane Allman with the Cross Captain Beefheart Leaves His Body Invisible Guitar Driving Around El Paso, Marvin Gaye’s “What’s Going On” Comes on the Radio Zodiacal Light The Face of the Sun Hair Max Jacob’s Leather Coat and the Possibility of Grief Jack Kerouac Brings His Mother to the Mexican Border, 1957 Satellite Two Hawk Skies in Minnesota The Edge of the Wilderness, Northern Colorado The Dance I Once Knew the Black Rider Hunchback A Period of Ashes The Theory and Practice of Love The Riches
Acknowledgments About the Author Colophon
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