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Index
The Cambridge Companion to the Concerto
Cambridge Companions to Music
Title page
Copyright page
Dedication
Contents
Notes on contributors
Acknowledgements
The concerto: a chronology
List of abbreviations
Introduction
Part I: Contexts
1 Theories of the concerto from the eighteenth century to the present day
2 The concerto and society
Part II: The works
3 The Italian concerto in the late seventeenth and early eighteenth centuries
4 The concerto in northern Europe to c.1770
5 The concerto from Mozart to Beethoven: aesthetic and stylistic perspectives
6 The nineteenth-century piano concerto
7 Nineteenth-century concertos for strings and winds
8 Contrasts and common concerns in the concerto 1900–1945
9 The concerto since 1945
Part III: Performance
10 The rise (and fall) of the concerto virtuoso in the late eighteenth and nineteenth centuries
11 Performance practice in the eighteenth-century concerto
12 Performance practice in the nineteenth-century concerto
13 The concerto in the age of recording
Notes
Selected further reading
Index
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