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Index
Cover
Half title
Title
Copyright
Contents
Editor’s note
Notes on Contributors
Introduction: 2019 Vision
The Blade Runner Experience: Pilgrimage and Liminal Space
Post-Millennium Blade Runner
Section 1: The Cinema of Philip K. Dick
Reel Toads and Imaginary Cities: Philip K. Dick, Blade Runner and the Contemporary Science Fiction Movie
Redemption, ‘Race’, Religion, Reality and the Far-Right: Science Fiction Film Adaptations of Philip K. Dick
Section 2: Playing Blade Runner
Replicating the Blade Runner
Implanted Memories, or the Illusion of Free Action
Section 3: Fans
Scanning the Replicant Text
Academic Textual Poachers: Blade Runner as Cult Canonical Movie
Originals and Copies: The Fans of Philip K. Dick, Blade Runner and K. W. Jeter
Section 4: Identities
The Rachel Papers: In Search of Blade Runner’s Femme Fatale
Purge! Class Pathology in Blade Runner
Postmodern Romance: The Impossibility of (De)centring the Self
Section 5: The City
False LA: Blade Runner and the Nightmare City
Imagining the Real: Blade Runner and Discourses on the Postmetropolis
Filmography
Bibliography
Index
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