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Index
Cover Dedication To the Reader List of Illustrations Book I. Prelude: 1300–77
Chapter I: The Age of Petrarch and Boccaccio: 1304–75
I. The Father of the Renaissance II. Naples and Boccaccio III. The Poet Laureate IV. Rienzo’s Revolution V. The Wandering Scholar VI. Giotto VII. The Decameron VIII. Siena IX. Milan X. Venice and Genoa XI. Twilight of the Trecento XII. Perspective
Chapter II: The Popes in Avignon: 1309–77
I. The Babylonian Captivity II. The Road to Rome III. The Christian Life
Book II: The Florentine Renaissance: 1378–1534
Chapter III: The Rise of the Medici : 1378–1464
I. The Setting II. The Material Basis III. Cosimo Pater Patriae IV. The Humanists V. Architecture : the Age of Brunellesco VI. Sculpture
1. Ghiberti 2. Donatello 3. Luca della Robbia
VII. Painting
1. Masaccio 2. Fra Angelico 3. Fra Filippo Lippi
VIII. A Miscellany
Chapter IV: The Golden Age: 1464–92
I. Piero il Gottoso II. The Development of Lorenzo III. Lorenzo the Magnificent IV. Literature : the Age of Politian V. Architecture and Sculpture: The Age of Verrocchio VI. Painting
1. Ghirlandaio 2. Botticelli
VII. Lorenzo Passes
Chapter V: Savonarola and the Republic: 1492–1534
I. The Prophet II. The Statesman III. The Martyr IV. The Republic and the Medici V. Art under the Revolution
Book III: Italian Pageant: 1378–1534
Chapter VI: Milan
I. Background II. Piedmont and Liguria III. Pavia IV. The Visconti: 1378–1447 V. The Sforzas: 1450–1500 VI. Letters VII. Arts
Chapter VII: Leonardo da Vinci
I. Development: 1452–83 II. In Milan: 1482–99 III. In Florence: 1500–01, 1503–06 IV. In Milan and Rome : 1506–16 V. The Man VI. The Inventor VII. The Scientist VIII. In France: 1516–19 IX. The School of Leonardo
Chapter VIII: Tuscany and Umbria
I. Piero della Francesca II. Signorelli III. Siena and Sodoma IV. Umbria and the Baglioni V. Perugino
Chapter IX: Mantua
I. Vittorino da Feltre II. Andrea Mantegna III. The First Lady of the World
Chapter X: Ferrara
I. The House of Este II. The Arts in Ferrara III. Letters IV. Ariosto V. Aftermath
Chapter XI: Venice and Her Realm
I. Padua II. Venetian Economy III. Venetian Government IV. Venetian Life V. Venetian Art
1. Architecture and Sculpture 2. The Bellini 3. From the Bellini to Giorgione 4. Giorgione 5. Titian : the Formative Years 6. Minor Artists and Arts
VI. Venetian Letters
1. Aldus Manutius 2. Bembo
VII. Verona
Chapter XII : Emilia and the Marches
I. Correggio II. Bologna III. Along the Emilian Way IV. Urbino and Castiglione
Chapter XIII: The Kingdom of Naples
I. Alfonso the Magnanimous II. Ferrante
Book IV: The Roman Renaissance: 1378–1521
Chapter XIV: The Crisis in the Church: 1378–1447
I. The Papal Schism: 1378–1417 II. The Councils and the Popes III. The Triumph of the Papacy
Chapter XV: The Renaissance Captures Rome: 1447–92
I. The Capital of the World II. Nicholas V: 1447–55 III. Calixtus III: 1455–58 IV. Pius II: 1458–64 V. Paul II: 1464–71 VI. Sixtus IV: 1471–84 VII. Innocent VIII: 1484–92
Chapter XVI : The Borgias
I. Cardinal borgia II. Alexander VI: 1492–1503 III. The Sinner IV. Caesar Borgia V. Lucrezia Borgia VI. The Collapse of the Borgia Power
Chapter XVII: Julius II : 1503–13
I. The Warrior II. Roman Architecture : 1492–1513 III. The Young Raphael
1. Development: 1483–1508 2. Raphael and Julius II: 1508–13
IV. Michelangelo
1. Youth: 1475–1505 2. Michelangelo and Julius II: 1505–13
Chapter XVIII: Leo X: 1513–21
I. The Boy Cardinal II. The Happy Pope III. Scholars IV. Poets V. The Recovery of Classic Art VI. Michelangelo and Leo X: 1513–20 VII. Raphael and Leo X : 1513–20 VIII. Agostino Chigi IX. Raphael : the Last Phase X. Leo Politicus
Book V: Debacle
Chapter XIX: The Intellectual Revolt
I. The Occult II. Science III. Medicine IV. Philosophy V. Guicciardini VI. Machiavelli
1. The Diplomat 2. The Author and the Man 3. The Philosopher 4. Considerations
Chapter XX: The Moral Release
I. The Founts and Forms of Immorality II. The Morals of the Clergy III. Sexual Morality IV. Renaissance Man V. Renaissance Woman VI. The Home VII. Public Morality VIII. Manners and Amusements IX. Drama X. Music XI. Perspective
Chapter XXI: The Political Collapse: 1494–1534
I. France Discovers Italy: 1494–95 II. The Attack Renewed: 1496–1505 III. The League of Cambrai: 1508–16 IV. Leo and Europe : 1513–21 V. Adrian VI: 1522–23 VI. Clement VII : the First Phase VII. The Sack of Rome: 1527 VIII. Charles Triumphant : 1527–30 IX. Clement VII and the Arts X. Michelangelo and Clement VII: 1520–34 XI. The End of an Age: 1528–34
Book VI: Finale: 1534–76
Chapter XXII: Sunset in Venice
I. Venice Reborn II. Aretino III. Titian and the Kings IV. Tintoretto V. Veronese VI. Perspective
Chapter XXIII: The Waning of the Renaissance
I. The Decline of Italy II. Science and Philosophy III. Literature IV. Twilight in Florence V. Benvenuto Cellini VI. Lesser Lights VII. Michelangelo : the Last Phase
Envoi Photographs About the Authors Notes Bibliography Index Copyright
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