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Index
Title Page Epigraph Copyright Page Table of Contents Preface Dedication Acknowledgements I - Introduction Section One - Space
1 - Space is emptiness
The figure/ground relationship Framing and framal reference Space must look deliberately used
2 - Symmetry and asymmetry
Space is a shape Symmetry: space is passive Asymmetry: space is active Time and motion Representational and symbolic space
3 - The historical development of space: six timelines
Timeline 2: Letterforms and typefaces Timeline 3: Logos Timeline 4: Posters Timeline 5: Magazines Timeline 6: Web sites
Section Two - Unity
4 - Unity and space
Similarity and contrast Using space to create unity
5 - The seven design components
1|7 Space 2|7 Unity and gestalt 3|7 Point, line, and plane 4|7 Scale and dominance 5|7 Hierarchy 6|7 Balance 7|7 Color
6 - How to use the seven design components
Think of shapes Design is a process that evolves its solution Diagrams
Section Three - Page Architecture
7 - The page as visual structure
Architecture and design Chains of thought Grids: freedom in structure
8 - Connecting elements and pages
Space connects pages Space emphasizes direction Information mapping and wayfinding
9 - Three-dimensional space
Two-and three-dimensional space Layers and transparency A publication is both two- and three-dimensional Texture and pattern
Section Four - Type
10 - Listening to type
Keep typography simple Frozen sound
11 - Typographic technicalities
Legibility and readability Type classifications Punctuation and dashes
12 - Display type
Primary type Typographic abstraction Secondary type Setting display type
13 - Text type
Space and text type Text abstraction Effortless text Setting perfect text
Glossary Bibliography Designer’s checklist Index Colophon Credits A Books from Allworth Press About the Author
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