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Index
Title Page
Epigraph
Copyright Page
Table of Contents
Preface
Dedication
Acknowledgements
I - Introduction
Section One - Space
1 - Space is emptiness
The figure/ground relationship
Framing and framal reference
Space must look deliberately used
2 - Symmetry and asymmetry
Space is a shape
Symmetry: space is passive
Asymmetry: space is active
Time and motion
Representational and symbolic space
3 - The historical development of space: six timelines
Timeline 2: Letterforms and typefaces
Timeline 3: Logos
Timeline 4: Posters
Timeline 5: Magazines
Timeline 6: Web sites
Section Two - Unity
4 - Unity and space
Similarity and contrast
Using space to create unity
5 - The seven design components
1|7 Space
2|7 Unity and gestalt
3|7 Point, line, and plane
4|7 Scale and dominance
5|7 Hierarchy
6|7 Balance
7|7 Color
6 - How to use the seven design components
Think of shapes
Design is a process that evolves its solution
Diagrams
Section Three - Page Architecture
7 - The page as visual structure
Architecture and design
Chains of thought
Grids: freedom in structure
8 - Connecting elements and pages
Space connects pages
Space emphasizes direction
Information mapping and wayfinding
9 - Three-dimensional space
Two-and three-dimensional space
Layers and transparency
A publication is both two- and three-dimensional
Texture and pattern
Section Four - Type
10 - Listening to type
Keep typography simple
Frozen sound
11 - Typographic technicalities
Legibility and readability
Type classifications
Punctuation and dashes
12 - Display type
Primary type
Typographic abstraction
Secondary type
Setting display type
13 - Text type
Space and text type
Text abstraction
Effortless text
Setting perfect text
Glossary
Bibliography
Designer’s checklist
Index
Colophon
Credits
A Books from Allworth Press
About the Author
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