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Index
Title Page Copyright Page Contents Acknowledgments Introduction
The State of Linothorax Scholarship and Typologies of Greek Armor The Structure of This Book Methodology and Audience
1 Ancient Evidence for Linen Armor
Literary Sources Linen in the Ancient World Visual Sources
2 Structural Variants and Decorations on Type IV Armor
Structural Elements I: Shoulder Flaps Structural Elements II: Shoulder Flap Ties Structural Elements III: Pteruges Structural Elements IV: Scales, Bands, and Belts Decorative Elements I: Painted Designs Decorative Elements II: Color Distinctive Aspects of Etruscan Type IV Armor
3 What Material Was Used to Make Type IV Armor?
Leather versus Linen Construction Sewn versus Laminated Construction Composite Construction
4 Reconstructing the Linothorax
Developing a Basic Pattern Fabrics and Glues The Lamination Process Heroic Nudity and Armor Length Decoration Thickness
5 Arrow Test Methodology and Materials
Arrow Test Rationale Test Patches Arrows and Bows Arrow Test Procedure
6 Arrow Test Results
General Observations Less Significant Test Variables Hand-Produced versus Modern Linens Laminated versus Sewn and Quilted Different Arrowheads Depth of Penetration and Lethality of Injury Angled Shots Test Results Compared to Ancient Source Testimony Testing Other Types of Attacks Arrow versus Unarmored Warrior Arrow versus Test Patch: Test Result Tables Linen versus Metal Armor
7 Wearability Issues
Potential Vulnerability to Moisture Waterproofing Experiments Durability and Repair Range of Motion, Mobility, and Fit Heat, Weight, and Endurance
8 Economic and Social Considerations
Labor Required to Construct a Linothorax The Cost of Linen Armor Cost and Availability of Leather versus Linen Large-Scale Production Gender Issues
Conclusion Appendix. Database of Visual Sources for Type IV Armor
Black-Figure Vases White-Ground Technique Vases Red-Figure Vases Stone Sculptures and Reliefs Terracotta Sculptures and Reliefs Metal Objects Paintings
Notes Bibliography Index
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