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Index
Cover
Half Title
Series Information
Title Page
Copyright Page
Dedication
Contents
List of Color Plates
List of Figures
List of Contributors
Introduction: Artistic Visions of the Anthropocene North: Climate Change and Nature in Art
Art from 1780 to Today
Nordic Landscapes
Art Interacting with Science
Changing Scientific Narratives
Media and Blurred Boundaries between Nature and the Human
Notes
Part I Interaction between Art and Science
1 Anthropocene Beginnings: Entanglements of Art and Science in Danish Art and Archaeology 1780–1840
Dolmens and a Savage Europa
Dolmens in Legends of Untouched Nature and Beautiful Man
Dolmens in Dramatic, Contemporary Landscapes
Dilapidated Dolmens from an Early Time
Entanglement of the Human with Nature
Notes
2 A Montage of Notes from Svalbard: Mediating the Arctic through Artistic Research
The Arctic
The Figure of the Guide: Mediating the Open Terrain
Svalbard
The Landscape
Artists as Mediators of Associations
Anthropology
Concluding Remarks
Notes
Part II Changing Narratives of the Anthropocene and the North
3 Northern Landscape and the Anthropocene: A Long View
Early Modern Anthropocene
Modern Anthropocene
Contemporary Anthropocene
Notes
4 “We All Have to Live by What We Know”: Activating Memoryscapes in the North Baffin Inuit Drawing Collection to Understand Arctic Environmental Change
Capitalocene and the Double Impact of a Colonial Modernity in the Arctic
Inuit Memoryscapes and the North Baffin Drawings
Contemporary Research – Place Names, Environment, and Inuit Traditional Knowledge
North Baffin Drawings and the Marketplace for Inuit Art and Inuit Knowledge
From Memoryscapes to Place Names
Notes
Part III Media and Blurred Boundaries between Nature and the Human
5 Conversations between Body, Tree and Camera in the Work of Eija-Liisa Ahtila
Point of View
Looking at Landscapes
Imagining Nature
Staging Nature
Notes
6 Toril Johannessen’s In Search of Iceland Spar: Truth and Illusion in the Anthropocene
Toril Johannessen’s Method
In Search of Iceland Spar
Iceland Spar and Its Media Ecology
Iceland Spar and the Anthropocene
The Arctic Illusion
Seeking Truth in the Anthropocene
Notes
7 From within the Porous Body: Modes of Engagement in Björk’s Biophilia Album
Theoretical Perspectives: The Biophilia Hypothesis and the Porosity of Vibrant Matter
Relationality in Björk’s Biophilia Album
“Náttúra”: Ecological Perspectives and the Icelandic Context
The Human as Scale and Medium
Notes
Bibliography
Index
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