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Index
Title Page Foreword, by Douglas Dunn Introduction Acknowledgements THE SEVEN JOURNEYS (1944) The Narrator The First Journey The Second Journey The Third Journey The Fourth Journey The Fifth Journey The Sixth Journey The Seventh Journey CAGE WITHOUT GRIEVANCE (1942) Over the Apparatus of the Spring is Drawn Of the Resonant Rumour of Sun, Impulse of Summer O Gentle Queen of the Afternoon As If in an Instant Parapets of Plants 1st Letter Here next the Chair I was when Winter Went There was when Morning Fell Say that in Lovers with Stones for Family This Fond Event My Origin Knows Well Let Me Measure My Prayer with Sleep Endure no Conflict. Crosses are Keepsakes To Girls at the Turn of Night Love Goes on Knocking No, Listen, for This I Tell 2nd Letter I, No More Real than Evil in My Roof 2ND POEMS (1945) Explanation of a Map Soon to be Distances The Serving Inhabiters Next My Spade’s Going His Companions Buried Him The Name Like a River Allow Silk Birds that See Many without Elegy The Bright Building A Letter More Likely to Myself My Glass Word Tells of Itself The Dual Privilege Continual Sea and Air Warning Not Prayer Enough The Crowd of Birds and Children By Law of Exile The Halftelling Sight Except Nessie Dunsmuir At Her Beck and Miracle One is One Remarkable Report by Some Poetic Agents The Day and Night Craftsmen THE WHITE THRESHOLD (1949) Since All My Steps Taken Listen. Put on Morning Lying in Corn My Final Bread With All Many Men Laid Down in the Burial Heart The Hill of Intrusion The Search by a Town The Children of Greenock The Children of Lanarkshire The Lost Other To a Tear Two Love Poems Other Guilts as Far The Birthright Twins Outrun Shian Bay Gigha Men Sign the Sea Night’s Fall Unlocks the Dirge of the Sea At Whose Sheltering Shall the Day Sea Three Poems of Drowning Michael’s Sea-Lamb before My Breath this Day The Voyages of Alfred Wallis The Bright Midnight Definition of My House Definition of My Brother At that Bright Cry Set on the Heart’s Headwaters For the Inmost Lost The White Threshold Three Letters
To My Brother To My Father To My Mother
THE NIGHTFISHING (1955) The Nightfishing Seven Letters
Letter I: ‘Welcome then anytime’ Letter II: ‘Burned in this element’ Letter III: ‘As Mooney’s calls Time’ Letter IV: ‘Night winked and endeared’ Letter V: ‘Lie where you fell’ Letter VI: ‘A day the wind was hardly’ Letter VII: ‘Blind tide emblazoning’
Two Ballads
The Broad Close Baldy Bane
MALCOLM MOONEY’S LAND (1970) Malcolm Mooney’s Land The Beast in the Space The Lying Dear Yours Truly Dear Who I Mean The Constructed Space Master Cat and Master Me The Thermal Stair I Leave This at Your Ear The Dark Dialogues The Don Brown Route Press Button to Hold Desired Symbol Hilton Abstract Approaches to How They Behave The Fifteen Devices Wynter and the Grammarsow Five Visitors to Madron Clusters Travelling Out IMPLEMENTS IN THEIR PLACES (1977) What is the Language Using Us for? Imagine a Forest Untidy Dreadful Table A Note to the Difficult One Are You Still There? Language Ah Now You Have Me Two Poems on Zennor Hill Ten Shots of Mister Simpson The Night City Enter a Cloud Greenock at Night I Find You Loch Thom To Alexander Graham Sgurr na Gillean Macleod Private Poem to Norman Macleod Johann Joachim Quantz’s Five Lessons The Gobbled Child The Lost Miss Conn The Murdered Drinker How Are the Children Robin The Stepping Stones Lines on Roger Hilton’s Watch The Secret Name The Found Picture Implements in Their Places Dear Bryan Wynter From COLLECTED POEMS (1979) To My Wife at Midnight APPENDIX: UNCOLLECTED AND MANUSCRIPT POEMS UNCOLLECTED POEMS (1990) I am Rich Hymn Then Who Will Hide the Innocent The Dark Intention The Soldier Campion O Why am I So Bright If It is Only for You I Speak Falling into the Sea For John Heath-Stubbs To Leonard Clark The Visit The Alligator Girls Look at the Cloud his Evening Playing Cards I Will Lend You Malcolm July Thirteenth Madron The December Fox The Musical Farmer A Page about My Country The Street of Knives The Fifth of May An Entertainment for David Wright on His Being Sixty Beholding Thee From Gigha Young Look at the Children Alice Where Art Thou Penzance/London A Walk to the Gulvas AIMED AT NOBODY: POEMS FROM NOTEBOOKS (1993) Proem The Ballad of Willie Peden [The Circumstances Are Still Infinite] Surrealgraphs [One Good Sound] The Eighth Letter Pangur Myself the Day Desires [To Find and Find] [Kandinsky’s Ribbons] [From the Sleeping House] The Dredge [More Shots of Mister Simpson] A Dream of Crete In Crete [In the Street of Knives] [On the Other Side of Language] [Nature Is Never Journalistic] Fill In This Form [I Am Told You Speak My Language] About the Stuff [This Little Evening] The Honey Game As Told to Davie Dunsmuir Waiting for Snow [The Particular Object] [Malcolm Mooney’s Figment] The Greenock Dialogues [From Dark Dialogues] [Son, or Who You Are] [What’s the News?] The Bridge [I Write as I Speak] [Here Behind the Alphabet] [X] [Send Me a Note] The Word’s Name [If it is Only for You I Speak] Five Verses Beginning with the Word Language The Conscript Goes Slaughterhouse [The Prisoner] [My Long Home Loch] SELECTED POEMS (1996) As Brilliance Fell OTHER UNCOLLECTED AND NOTEBOOK POEMS [And I Would Be a Soldier with a Gun] To ND Fourth Sonnet Letter X from A Dream of Crete from With the Dulle Griet in Canada Notes Glossary People Places Bibliography Index of Titles Index of First Lines About the Author By the Same Author Copyright
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