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Index
Cover
Contents
Does the cultural capital compensate for the cultural discount? Why do German students prefer US-American TV series?
Awake, or the multiplication of the realities Contemporary Television Series: Narrative Structures and Audience Perception
“Three hundred channels and nothing's on”: Metaleptic Genre-Mixing in Supernatural
Appreciating Nietzsche in Episodic Drama: The Highbrow Intertextuality and Middlebrow Reception of Criminal Minds
The Seed of an Idea and its Cognitive Field: Minding the Gap of Alternate Reality in Flash Forward and Fringe
Breaking Narrative: Narrative Complexity in Contemporary Television
The Walking Dead and the Truly Monstrous... on Television
Television Cosmo-Mythologies: The Return to Mythological Naratives in Television Fiction, from The Prisoner to Lost
Breaking Bad, a Character-Based Formula
Representing Occupations in Media and Audience Perceptions of TV Series
Homeland: War on Terror Revisited
Understanding Health in Grey's Anatomy Television Series
Fiction Television in Brazil: New Perspectives
TV Series Bolji život (1987–1991): View from the Future
The X-Factor of Singing Competitions TV Series
TV Drama as a Narrative form: Scenes from a Gendered and a Sacralized Cultural Sphere in Turkish Society
The hero's journey
About the contributors
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