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Index
Cover
Half title
Title
Copyright
Dedication
Contents
List of Illustrations
Preface
Introduction
Part 1. Music and Drama to the End of the Sixteenth Century
1. The Lyric Theater of the Greeks
2. Medieval Dramatic Music
3. The Immediate Forerunners of Opera
Part 2. The Seventeenth Century
4. The Beginnings: Opera in Florence and Mantua
5. Other Early Seventeenth-Century Italian Court Operas, Including the First Comic Operas in Florence and Rome
6. Italian Opera in the Later Seventeenth Century in Italy
7. Seventeenth-Century Italian Opera in German-Speaking Lands
8. Early German Opera
9. Opera in France from Lully to Charpentier
10. Opera in England
Part 3. The Eighteenth Century
11. Masters of the Early Eighteenth Century
12. Opera Seria: General Characteristics
13. Opera Seria: The Composers
14. The Operas of Gluck
15. The Comic Opera of the Eighteenth Century
16. The Operas of Mozart and His Viennese Contemporaries
Part 4. The Nineteenth Century
17. The Turn of the Century
18. Grand Opera
19. Opéra Comique, Operetta, and Lyric Opera
20. Italian Opera of the Primo Ottocento: Rossini, Donizetti,Verdi, and Their Contemporaries
21. The Romantic Opera in Germany
22. The Operas of Wagner
23. The Later Nineteenth Century: France, Italy, Germany, and Austria
Part 5. Other National Traditions of Opera from the Seventeenth to the Early Twentieth Centuries
24. National Traditions of Opera
Part 6. The Twentieth Century
25. Introduction / Opera in France and Italy
26. Opera in the German-Speaking Countries
27. National Opera in Russia and Neighboring Countries; Central and Eastern Europe; Greece and Turkey; the Netherlands, Denmark, Sweden, and Finland; Spain, Portugal, and Latin America
28. Opera in the British Isles, Canada,Australia, and New Zealand
29. Opera in the United States
Appendix: Chinese Opera (Xiqu)
List of Abbreviations
Bibliography
Sources and Translations of Musical Examples
Index
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