On Not Being Able to Paint by Milner, Marion -- Read -- Imperial Library of Trantor

Index

Contents Illustrations Foreword Introduction Note to second edition New introduction

Notes A note on the text

I The emergence of the free drawings

1 What the eye likes 2 Being separate and being together 3 Outline and the solid earth 4 The plunge into colour 5 The necessity of illusion

II The content of the free drawings

6 Monsters within and without 7 Disillusion and hating 8 Preserving what one loves

III The method of the free drawings

9 Reciprocity and ordered freedom 10 Refusal of reciprocity 11 Ideals and the fatal prejudice 12 Rhythm and the freedom of the free drawings 13 The concentration of the body

IV The use of the free drawings

14 The role of the medium 15 The role of images

V The use of painting

16 Painting and living 17 Painting as making real Postscript Appendix

I. The ordering of chaos II. The anal aspect of the parrot’s egg III. Infantile prototypes of creativity IV. Changes in the sense of self V. Rhythm relaxation and the orgasm VI. Painting and symbols VII. The two kinds of thinking VIII. Painting and imitation IX. A place for absent-mindedness

Bibliography to first edition Bibliography to second edition Description of original drawings Index

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