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Index
Cover
Title Page
Copyright
Contents
Acknowledgments
Introduction: The Social Ontology of Photography
Part I: The Document, the Figural, and the Index
1. Photography and Its Truth-Event
2. The Political Form of Photography Today
3. “Fragment, Experiment, Dissonant Prologue”: Modernism, Realism, and the Photodocument
4. Two Models of Labor: Figurality and Nonfigurality in Recent Photography
Part II: Abstraction, Violation, and Empathy
5. Photography After the Photograph: Event, Archive, and the Nonsymbolic
6. Photography, Abstraction, and the Social Production of Space
7. Violence, Photography, and the Inhuman
Conclusion
Notes
Bibliography
Index
Series List
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