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Index
Cover Page
Title Page
Copyright Page
Contents
List of Figures and Tables
Notes on Contributors
Acknowledgements
Introduction: Worship Media as Media Form and Mediated Practice: Theorizing the Intersections of Media, Music and Lived Religion
PART I TECHNOLOGY, PLACE AND PRACTICE
1 Music as a Mediated Object, Music as a Medium: Towards a Media Ecological View of Congregational Music
2 Music, Ritual and Media in Charismatic Religious Experience in Ghana
3 Panoptic or Pastoral Gaze? The Worship Leader in the New Media Environment
4 Who Gets to Sing in the Kingdom?
PART II COMMUNITY CREATION
5 ‘This is a Chance to Come Together’: Subcultural Resistance and Community at Cornerstone Festival
6 ‘Through Every Land, By Every Tongue’: Sacred Harp Singing Through a Transnational Network
7 YouTube: A New Mediator of Christian Community
8 Belonging, Integration and Tradition: Mediating Romani Identity Through Pentecostal Praise and Worship Music
PART III EMBODIED SONIC THEOLOGIES
9 On the Inherent Contradiction in Worship Music
10 ‘Yet to Come’ or ‘Still to Be Done’?: Evangelical Worship and the Power of ‘Prophetic’ Songs
11 Music and Happiness: Salvific Practice in a Feelgood Age
12 The Dance + Pray Worship Experience in Finland: Negotiating the Transcendent and Transgressive in Search of Alternative Sensational Forms and Affective Space
Afterword: Of Animatrons and Eschatology: Congregational Music, Mediation and World-Making
Index
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