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Index
Preface Introduction 1. First Experiments Fiction Mori Ōgai “The Dancing Girl” San’yūtei Enchō The Ghost Tale of the Peony Lantern Tōkai Sanshi Strange Encounters with Beautiful Women Poetry “Spring Blossoms into Flower” “Butterflies” Yuasa Hangetsu “Twelve Stones” Ueki Emori “Liberty Song” Ochiai Naobumi “Song of the Faithful Daughter Shiragiku” Shimazaki Tōson “The Fox’s Trick” “First Love” Yosano Hiroshi “Victory Arches” “Withered Lotus” Takeshima Hagoromo “The Maiden Called Love” 2. Beginnings Fiction Futabatei Shimei Drifting Clouds Izumi Kyōka “The Holy Man of Mount Kōya” Kōda Rohan The Icon of Liberty Kunikida Doppo “Meat and Potatoes” Masamune Hakuchō “The Clay Doll” Mori Ōgai “The Boat on the River Takase” Nagai Kafū “The Mediterranean in Twilight” Ozaki Kōyō The Gold Demon Shimazaki Tōson “The Life of a Certain Woman” Tayama Katai “The Girl Watcher” Tokuda Shūsei “The Town’s Dance Hall” Tokutomi Roka “Ashes” Poetry in the International Style Kodama Kagai “The Suicide of an Unemployed Person” “The Setting Sun” Ishikawa Takuboku “Better than Crying” “Do Not Get Up” “A Spoonful of Cocoa” “After Endless Discussions” Kawai Suimei “Snowflame” “Living Voice” Kitahara Hakushū “Anesthesia of Red Flowers” “Spider Lilies” “Kiss” Yamamura Bochō “Ecstasy” “Dance” “Mandala” Takamura Kōtarō “Bear Fur” “A Steak Platter” Kinoshita Mokutarō “Nagasaki Style” “Gold Leaf Brandy” Yosano Akiko “Beloved, You Must Not Die” “In the First Person” “A Certain Country” “From Paris on a Postcard” “The Heart of a Thirtyish Woman” Poetry in Traditional Forms Kanshi Tanka and Haiku Ishikawa Takuboku Masaoka Shiki Tanka Haiku Natsume Sōseki Wakayama Bokusui Yosano Akiko “The Dancing Girl” “Spring Thaw” Essays Natsume Sōseki “The Civilization of Modern-Day Japan” “My Individualism” Yosano Akiko “An Open Letter” 3. The Interwar Years Fiction Akutagawa Ryūnosuke “The Nose” “The Christ of Nanking” Arishima Takeo “The Clock that Does Not Move” Edogawa Ranpo “The Human Chair” Hori Tatsuo The Wind Has Risen Inagaki Taruho One-Thousand-and-One-Second Stories Itō Sei “A Department Store Called M” Kajii Motojirō “The Lemon” Kawabata Yasunari “The Dancing Girl of Izu” Kobayashi Takiji “The Fifteenth of March, 1928” Kuroshima Denji “A Flock of Circling Crows” Miyamoto Yuriko “A Sunless Morning” Origuchi Shinobu Writings from the Dead Shiga Naoya “The Diary of Claudius” “The Paper Door” “The Shopboy’s God” Takeda Rintarō “The Lot of Dire Misfortune” Tani Jōji “The Shanghaied Man” Tanizaki Jun’ichirō “The Two Acolytes” Uno Kōji “Landscape with Withered Tree” Yokomitsu Riichi “Mount Hiei” Poetry in the International Style Takamura Kōtarō “Cathedral in the Thrashing Rain” Hagiwara Sakutarō “On a Trip” “Bamboo” “Sickly Face at the Bottom of the Ground” “The One Who’s in Love with Love” “The Army” “The Corpse of a Cat” Miyazawa Kenji “Spring & Asura” “The Morning of the Last Farewell” “November 3rd” Nishiwaki Junzaburō Seven Poems from Ambarvalia No Traveler Returns Kitasono Katsue “Collection of White Poems” “Vin du masque” “Words” Two Poems “Almost Midwinter” Kitasono’s First Letter to Ezra Pound Nakano Shigeharu “Imperial Hotel” “Song” “Paul Claudel” “Train” “The Rate of Exchange” Poetry in Traditional Forms Akutagawa Ryūnosuke Kitahara Hakushū Mitsuhashi Takajo Ogiwara Seisensui Okamoto Kanoko Ozaki Hōsai Saitō Mokichi Shaku Chōkū Sugita Hisajo Taneda Santōka Yamaguchi Seishi Drama Kishida Kunio The Swing Tanizaki Jun’ichirō Okuni and Gohei Essays Kobayashi Hideo “Literature of the Lost Home” Satō Haruo “Discourse on ‘Elegance’” 4. The War Years Fiction Dazai Osamu “December 8th” Ishikawa Tatsuzō Soldiers Alive Kajiyama Toshiyuki “The Clan Records” Nakajima Atsushi “The Ox Man” Ōoka Shōhei Taken Captive Ōta Yōko “Fireflies” Shimao Toshio “The Departure Never Came” Uno Chiyo “A Wife’s Letters” Poetry in the International Style Takamura Kōtarō “The Elephant’s Piggy Bank” “The Final Battle for the Ryūkyū Islands” Yoshida Issui “Swans” Kusano Shinpei “Mount Fuji” Oguma Hideo “Long, Long Autumn Nights” Poetry in Traditional Forms Saitō Sanki Toki Zenmaro “Evidence” Essays Hagiwara Sakutarō “Return to Japan” Kobayashi Hideo “On Impermanence” “Taima” Sakaguchi Ango “A Personal View of Japanese Culture” Bibliography
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