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Index
Cover  Title Page Copyright Dedication Contents  Acknowledgments Preface: Re-Orienting Sexuality Part I: Theory and History
1. Histories of Cross-Cultural Encounter, Orientalism, and the Politics of Sexuality
Reading Contrapuntally: Two Captivity Narratives Goals, Interventions, Political Reverberations: The Queen Boat Raid in Cairo Said and Orientalism’s Legacies Historical Contexts and Travelers’ Testimonies From Armchair Anthropology to Islamicate Sexuality Studies
2. Beautiful Boys, Sodomy, and Hamams: a Textual and Visual History of Tropes
The Beautiful Boy The Sodomite and Sodomized The Bath or Hamam The Hypervirile Male Other The Cruel and Effete Pasha The Eunuch or Castrated Male The Dancing Boy
Part II: Geographies of Desire
3. Empire of ‘Excesse,’ City of Dreams: Homoerotic Imaginings in Istanbul and the Ottoman World
Figures of Ottoman Plentitude, East and West Taxonomizing Desire in Ricaut and Gazali Drift, Desire, and Dissolving Designs in Loti’s Aziyade Of Encyclopedias and Cinema: Erotic Taxonomies in Koçu, Erotic Thresholds in Özpetek
4. Epic Ambitions and Epicurean Appetites: Egyptian Stories I
Hyperbolic Histories of Egyptian Homoeroticism Monumental Manhood and Other Recurring Tropes Homo-Orientalism and Romanticism in Klunzinger Homoerotic Spectacle, Orientalism, and the Realistic Detail in Flaubert The Return of the Repressed in Durrell’s Alexandria Quartet The Hetero-Homoerotics of Mailer’s “Big One”: Ancient Evenings
5. Colonialism and its Aftermaths, Gide to Chahine: Egyptian Stories II
No Time for Monuments: Fantasies of Reciprocity in Gide’s Carnets d’Égypte The Closet, Colonialism, and Sexual Predation in Maugham’s “Cairo” “H-O-M-O-S-E-X-U-A-L-I-T-Y” in the City Novels of Mahfūz and al-Aswānī Epic Ambitions Revisited: Camp Monumentality in Chahine’s Cinema
Part III: Modes and Genres
6. Queer Modernism and Middle Eastern Poetic Genres: Appropriations, Forgeries, and Hoaxes
Middle Eastern Poetic Legacies Improvisations on an Ottoman Original: The Anonymous Le livre des beaux Ethnopornography, Early Photography, and Visual Equivalents of the Şehrengiz Obscene Hoax: Crowley’s Poetic Masquerade Reviving the Rubbiyat: States of Onrust in De Haan’s Kwatrijnen Lyrical Minimalism, Diverse Monotony, and Gide’s Modernist Revision of Travel Narrative Forbidden Taliban
7. Looking Backward: Homoeroticism in Miniaturist Painting and Orientalist Art
Decoding Middle Eastern Miniaturist Painting European Art and the Orientalist Tradition
8. Looking Again: Twentieth- and Twenty-First-Century Visual Cultures
From Pre-Raphaelitism to Late Modernism Postmodern Interventions Photographic Legacies Erotica and Pornographic Traditions Visual Manifestations in Popular Culture Homo-Orientalism on Screen
Notes Index Color Plates
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