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Index
The Cambridge Companion to Grand Opera Cambridge Companions to Music Title page Copyright page Contents List of illustrations Notes on contributors Preface Acknowledgements Abbreviations Chronology 1 Introduction Part I • The resourcing of grand opera
2 The ‘machine’ and the state 3 Fictions and librettos 4 The spectacle of the past in grand opera 5 The chorus 6 Dance and dancers 7 Roles, reputations, shadows: singers at the Opéra, 1828–1849
Part II • Revaluation and the twenty-first century
8 Directing grand opera: Rienzi and Guillaume Tell at the Vienna State Opera
Part III • Grand operas for Paris
9 La Muette and her context 10 Scribe and Auber: constructing grand opera 11 Meyerbeer: Robert le Diable and Les Huguenots 12 Meyerbeer: Le Prophète and L’Africaine 13 The grand operas of Fromental Halévy 14 From Rossini to Verdi 15 After 1850 at the Paris Opéra: institution and repertory
Part IV • Transformations of grand opera
16 Richard Wagner and the legacy of French grand opera 17 Grand opera in Russia: fragments of an unwritten history 18 Grand opera among the Czechs 19 Italian opera 20 Grand opera in Britain and the Americas
Notes Select bibliography Index
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