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Index
Cover Page
Title Page
Copyright Page
Foreword
Acknowledgements
Contents
List of contributors
Part I Overture
1. Introduction: aims, organization, and terminology: Patrik N. Juslin and John A. Sloboda
Part II Multi-Disciplinary Perspectives
2. Emotions expressed and aroused by music: philosophical perspectives: Stephen Davies
3. Emotion in culture and history: perspectives from musicology: Nicholas Cook and Nicola Dibben
4. At the interface between the inner and outer world: psychological perspectives: John A. Sloboda and Patrik N. Juslin
5. Towards a neurobiology of musical emotions: Isabelle Peretz
6. Exploring the habitus of listening: anthropological perspectives: Judith Becker
7. Emotion as social emergence: perspectives from music sociology: Tia Denora
Part III Measurement
8. Self-report measures and models: Marcel Zentner and Tuomas Eerola
9. Continuous self-report methods: Emery Schubert
10. Indirect perceptual, cognitive, and behavioural measures: Daniel VÄstfjÄll
11. Psychophysiological measures: Donald A. Hodges
12. Functional neuroimaging: Stefan Koelsch, Walter A. Siebel, and Thomas Fritz
Part IV Music Making
13. Emotion and composition in classical music: historiometric perspectives: Dean Keith Simonton
14. The role of structure in the musical expression of emotions: Alf Gabrielsson and Erik LindstrÖm
15. Emotion and motivation in the lives of performers: Robert H. Woody and Gary E. Mcpherson
16. The role of negative emotions in performance anxiety: Dianna T. Kenny
17. Expression and communication of emotion in music performance: Patrik N. Juslin and Renee Timmers
Part V Music Listening
18. Music in everyday life: the role of emotions: John A. Sloboda
19. Experimental aesthetics and liking for music: David J. Hargreaves and Adrian C. North
20. Strong experiences with music: Alf Gabrielsson
21. Musical expectancy and thrills: David Huron and Elizabeth Hellmuth Margulis
22. How does music evoke emotions? Exploring the underlying mechanisms: Patrik N. Juslin, Simon LiljestrÖm, Daniel VÄstfjÄll, and Lars-Olov Lundqvist
Part VI Development, Personality, And Social Factors
23. Perspectives on music and affect in the early years: Sandra E. Trehub, Erin E. Hannon, and Adena Schachner
24. Preference, personality, and emotion: Peter J. Rentfrow and Jennifer A. Mcdonald
25. The influence of affect on music choice: Vladimir J. KoneČni
26. Politics, mediation, social context, and public use: Reebee Garofalo
27. Cross-cultural similarities and differences: William Forde Thompson and Laura-Lee Balkwill
Part VII Applications
28. Music education: the role of affect: Susan Hallam
29. Music therapy: Michael H. Thaut and Barbara L. Wheeler
30. Music, health, and well-being: Suzanne B. Hanser
31. Music as a source of emotion in film: Annabel J. Cohen
32. Music and marketing: Adrian C. North and David J. Hargreaves
Part VIII Encore
33. The past, present, and future of music and emotion research: Patrik N. Juslin And John A. Sloboda
Index
Footnotes
Chapter 2
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Chapter 3
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Chapter 4
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Chapter 5
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Chapter 8
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Chapter 9
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Chapter 10
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Chapter 11
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Chapter 12
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Chapter 13
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Chapter 14
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Chapter 17
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Chapter 20
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Chapter 21
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Chapter 22
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Chapter 23
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Chapter 25
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Chapter 29
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Chapter 31
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Chapter 33
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