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Index
Table of Contents 1. Introduction
Photoshop Has Replaced the Conventional Darkroom
2. Good Digital Working Techniques
Profile—John Lund and his Animal Antics Determining Your Camera’s E.I. (Exposure Index) Metering Profile—Jim DiVitale: Conceptual and Commercial Artist White Balance Evaluating Exposure File Formats
RAW Format Prepping RAW Files for Processing Adobe Camera RAW How JPEG Differs from RAW
Color Space Noise Sharpening Metadata Printing Options Profile—Glen Honiball: Master Photoshop Retoucher
3. Color Management and Device Profiling
Profile—Rich Nortnik, Jr.: Illustrator Extraordinaire It’s an RGB World Now Monitor Profiles Gamma Camera Profiles Profile—Marcus Bell and the Photoshop “Darkroom” Printer Profiles Soft Proofing Profile—Gigi Clark: Hanging Out at the Photoshop Cafe Profile—David Wendt Shoots Beautiful Cars
4. Photoshop Techniques
Actions Layers and Masks Plug-Ins Retouching Techniques
Removing Blemishes Shininess and Wrinkles Eyes and Teeth Profile—Bryan White: Mixed Media Arts Selective Soft Focus Soft Focus Vignetting Minimize Retouching
Profile—Ctein’s Photoshop Restoration Color Correction and Toning
Targeting White and Gray Points in Levels Sepia/Blue Tone Mixing Color and Black & White in the Same Image Soft Color
Other Photoshop Operations
Straightening Verticals Optical Lens Correction Making Contact Sheets Liquify Sharpening
Album Design
Design Templates Color Sampling
Stair Interpolation The “Fuzzy Filter” Profile—Jerry D Works an Award-Winning Image Profile—Craig Kienast Sees Smoke Signals
Contributors Glossary Index Other Books from Amherst Media
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