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Index
Table of Contents
1. Introduction
Photoshop Has Replaced the Conventional Darkroom
2. Good Digital Working Techniques
Profile—John Lund and his Animal Antics
Determining Your Camera’s E.I. (Exposure Index)
Metering
Profile—Jim DiVitale: Conceptual and Commercial Artist
White Balance
Evaluating Exposure
File Formats
RAW Format
Prepping RAW Files for Processing
Adobe Camera RAW
How JPEG Differs from RAW
Color Space
Noise
Sharpening
Metadata
Printing Options
Profile—Glen Honiball: Master Photoshop Retoucher
3. Color Management and Device Profiling
Profile—Rich Nortnik, Jr.: Illustrator Extraordinaire
It’s an RGB World Now
Monitor Profiles
Gamma
Camera Profiles
Profile—Marcus Bell and the Photoshop “Darkroom”
Printer Profiles
Soft Proofing
Profile—Gigi Clark: Hanging Out at the Photoshop Cafe
Profile—David Wendt Shoots Beautiful Cars
4. Photoshop Techniques
Actions
Layers and Masks
Plug-Ins
Retouching Techniques
Removing Blemishes
Shininess and Wrinkles
Eyes and Teeth
Profile—Bryan White: Mixed Media Arts
Selective Soft Focus
Soft Focus
Vignetting
Minimize Retouching
Profile—Ctein’s Photoshop Restoration
Color Correction and Toning
Targeting White and Gray Points in Levels
Sepia/Blue Tone
Mixing Color and Black & White in the Same Image
Soft Color
Other Photoshop Operations
Straightening Verticals
Optical Lens Correction
Making Contact Sheets
Liquify
Sharpening
Album Design
Design Templates
Color Sampling
Stair Interpolation
The “Fuzzy Filter”
Profile—Jerry D Works an Award-Winning Image
Profile—Craig Kienast Sees Smoke Signals
Contributors
Glossary
Index
Other Books from Amherst Media
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