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Index
Cover Title Contents Introduction 1. The Great Outdoors
Painters and plein-air work Scope and advantages Practical considerations
2. Travelling Light
Equipment First impressions
3. Alla Prima
Wet on wet Key shapes Freedom and control Descriptive washes
4. Capturing the Essence
Appeal Strong design Light effects Colour and mood A personal response
5. Speed and Confidence
Scale and format Time Varied challenges
6. Subjects and Locations
Variety Assessing subjects A sense of place
7. Taking it Further
Evaluation The middle way Plein-air and studio work
Index Copyright
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