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Index
Cover
Title
Contents
Introduction
1. The Great Outdoors
Painters and plein-air work
Scope and advantages
Practical considerations
2. Travelling Light
Equipment
First impressions
3. Alla Prima
Wet on wet
Key shapes
Freedom and control
Descriptive washes
4. Capturing the Essence
Appeal
Strong design
Light effects
Colour and mood
A personal response
5. Speed and Confidence
Scale and format
Time
Varied challenges
6. Subjects and Locations
Variety
Assessing subjects
A sense of place
7. Taking it Further
Evaluation
The middle way
Plein-air and studio work
Index
Copyright
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