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Index
Praise for this new edition
Praise for previous editions
Guided tour
More praise for this new edition
Student feedback
Contents
Illustrations
Acknowledgements
Introduction
Modern media
References and further reading
Part I Key concepts
1 Approaching media texts
Semiotic approaches
Structuralism, difference(s) and oppositions
Denotation and connotation
The social nature of signs
Examples
Debates
Content analysis
Conclusion
References and further reading
CASE STUDY
ANALYSING A POSTER, AND NOTES ON TWO PHOTOS
VOICES AND SOUND SIGNIFIERS
AUDIO-VISUAL MOVING IMAGES
CONTENT ANALYSIS
REFERENCES AND FURTHER READING
2 Narratives
General theories of narrative
Narration, story and plot
Narratives in different media
Stories in words
Photography
Comic strips and animation
Radio
Cinema
Long-running ‘open’ narratives
Conclusion
References and further reading
CASE STUDY
THE CLASSIFICATION ‘CRIME FICTION’
PLOT/STORY
Synopsis: ‘The Golden Parachute’
APPLYING TODOROV
APPLYING PROPP
APPLYING BARTHES
APPLYING LÉVI-STRAUSS
NARRATIVES, INSTITUTIONS, IDEOLOGIES
REFERENCES AND FURTHER READING
3 Genres and other classifications
Classifying films: Thelma and Louise (US 1991)
Repetition and difference
Repertoires of elements
Status and genres 1: ‘escapism’, gender and verisimilitude
Status and genres 2: the cultural context
Formal classifications
Conclusion
References and further reading
CASE STUDY
THE CHILD IN THE HORROR FILM
GLOBAL AND LOCAL AUDIENCES
STYLE AND THE GOTHIC: DIFFERENT REPERTOIRES
AUTHORSHIP AND PROMOTION
DISTRIBUTION STRATEGIES
CONCLUSION
REFERENCES AND FURTHER READING
4 Representations
‘Representation’ now
Stereotyping and ‘scripts’
‘Scripts’ and performances
Stages of change, and ‘positive/negative’ debates
Comedy, fantasy and questions of representation
Historical and institutional processes
Conclusion
References and further reading
CASE STUDY
DISCOURSES AND STEREOTYPES OF ‘MIGRATION’ AND OTHER KINDS OF TRAVEL
‘People flows’
Histories
NEWS MEDIA
THE ‘GRAIN OF TRUTH’ IN STEREOTYPES?
VARIETIES OF MEDIA REPRESENTATIONS
CONCLUSION
REFERENCES AND FURTHER READING
5 Globalisation
Your experiences of globalisation
Global histories
Approaches to globalised media
Global–local flows
Global futures?
The ‘Chinese domination’ future?
The ‘global village’ future?
The global–local future?
Fortress futures?
The climate changed future?
Conclusion
References and further reading
CASE STUDY
THE BACKGROUND TO A GLOBAL HIT
THE PRODUCTION OF THE FILM
DISTRIBUTION
THE BOLLYWOOD CONNECTION
CONTROVERSIES IN RECEPTION
AFTER THE OSCAR CEREMONIES …
CONCLUSION
REFERENCES AND FURTHER READING
6 Ideologies and discourses
‘Ideology’ and its histories: Marxist approaches
Post-Marxism
Identity politics and critical pluralism
Discourses
Lived cultures
Examples
Conclusion
References and further reading
CASE STUDY
CONTEXT: IMAGES AND DISCOURSES
THE TERM ‘PROPAGANDA’
TEXTUAL APPROACHES TO THE FILM
‘CINEMA’ AND ITS ‘EVERYDAY PRACTICES’
CONCLUSION
REFERENCES AND FURTHER READING
7 Media as business
Studying business organisations
Ownership and control
The experience of conglomerates
New players in India and China
Public or private funding
Public and private in filmed entertainment
The new digital environment
Business models
Conclusion
References and further reading
CASE STUDY
THE CHALLENGE OF COPYING
PIRACY
CHANGING BUSINESS MODELS IN THE FILM INDUSTRY
REFERENCES AND FURTHER READING
Part II Debates
8 ‘New media’ in a ‘new world’?
‘Newness’ and histories
Academic approaches
Openness, collaboration and ‘users’
‘The long tail’
Digital copies and the ‘enclosure’ of information
New media, old metaphors
‘New media’, vanishing resources
Conclusion
References and further reading
9 The future of television?
Ownership and control in the television industry
Paying for television
Business models for television broadcasting
Public service broadcasting (PSB)
BBC
Changes in PSB policies
Network television
Subscription
Conclusion
References and further reading
10 Regulation now
Politics and economics
Regulation and ‘freedom’?
Historical background
Changes in the ‘orthodoxy’ of economic policy and new models
Deregulation, liberalisation and media institutions
The contemporary regulatory environment
1 Direct control by government
2 Delegation by government to an independent statutory regulator
3 Self-regulation by media producers
4 The general legal framework as a restraint
5 ‘Market forces’ regulate
6 Audience pressure regulates
A ‘free market’ for classification, censorship and sex and violence?
The public gets the media it deserves?
‘Free choices’ and ‘free speech’?
Conclusion
References and further reading
11 Debating advertising, branding and celebrity
Advertising, marketing and branding
Debates
Histories
Hollywood and branding
Hollywood: the brand(s)
Citizenship and consumption
A note on ‘spin’
Conclusion
References and further reading
12 News and its futures
The importance of news, and views of ‘the public’
The construction of ‘news’
‘Impartiality’ and accuracy
‘News values’
Debates on the influence of news
Futures: ‘new’ news?
Conclusion
References and further reading
13 Documentary and ‘reality’ debates
Recent issues in documentary
Documentary and assumptions about ‘realism’ and truth
Verisimilitude and ‘performance’
‘Performance’ in documentaries
Ethics and documentary
Recent hybrids 1: ‘pranksters’
Recent hybrids 2: ‘reality TV’
Recent hybrids 3: forms of ‘drama-documentary’
Conclusion
References and further reading
14 From ‘audience’ to ‘users’
Academic representations of audiences
The effects model
The uses and gratifications model
From ‘effects’ to ‘influence’: factual forms
‘Cultural’ approaches
Re-mediating audiences
Discussion: hybrid forms and Mamma Mia!
Conclusion
References and further reading
Part III Research methods and references
15 Research: skills and methods
Basics
Using the internet, and print forms
Fear of ‘theory’
Methods
Qualitative and quantitative
Textual approaches
Samples
Focus groups
‘Ethnographic’ methods
Footnote: Wikipedia
References and further reading
Glossary of key terms
Index
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