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Index
Cover
Half Title
Series Title Page
Title Page
Copyright Page
Contents
List of Illustrations
Acknowledgements
Steve Neale and Film Studies: An Introduction, Frank Krutnik
Section A: Beginnings
1 The Reappearance of Movie, Review in Screen, 16.3 (1975), 112–15
2 Personal Views, Review in Screen, 17.3 (1976), 118–22
3 The Invention of Cinema, Chapter 3 of Cinema and Technology: Image, Sound, Colour (London: Macmillan, 1985)
Section B: Genre(s)
4 Genre, Chapter 3 of Genre (London: British Film Institute, 1980)
5 Questions of Genre, Screen, 31.1 (1990), 45–66
6 Genre and Hollywood, Chapter 7 of Genre and Hollywood (London: Routledge, 2000)
7 Melodrama and Tears, Screen, 27.6 (1986), 6–23
8 Aspects of Ideology and Narrative Form in the American War Film, Screen, 32.1 (1991), 33–57
Section C: Interventions and Provocations
9 Art Cinema as Institution, Screen, 22.1 (1981), 11–40
10 Masculinity as Spectacle: Reflections on Men and Mainstream Cinema, Screen, 24.6 (1983), 2–17
11 Melo Talk: On the Meaning and Use of the Term ‘Melodrama’ in the American Trade Press, The Velvet Light Trap, 32 (1993), 66–89
12 Hollywood Blockbusters: Historical Dimensions, Movie Blockbusters, ed. by Julian Stringer (London: Routledge, 2003), pp. 47–60
Section D: Film Analysis
13 Issues of Difference: Alien and Blade Runner, Fantasy and the Cinema, ed. by James Donald (London: British Film Institute, 1989), pp. 213–23
14 Narration, Point of View and Patterns in the Soundtrack of Letter from an Unknown Woman, Style and Meaning: Essays in the Detailed Analysis of Film, ed. by John Gibbs and Douglas Pye (Manchester: Manchester University Press, 2005), pp. 99–107
15 Gestures, Movements and Actions in Rio Bravo, Howard Hawks: New Perspectives, ed. by Ian Brookes (London: Palgrave/British Film Institute, 2016), pp. 110–21
16 The Art of the Palpable: Composition and Staging in the Widescreen Films of Anthony Mann, Widescreen Worldwide, ed. by John Belton, Sheldon Hall and Stephen Neale (New Barnet: John Libbey, 2010), pp. 91–106
17 ‘I Can’t Tell Anymore Whether You’re Lying’: Double Indemnity, Human Desire and the Narratology of Femmes Fatales, The Femme Fatale: Images, Histories, Contexts, ed. by Helen Hanson and Catherine O’Rawe (Basingstoke: Palgrave Macmillan, 2010), pp. 187–98
Steve Neale Bibliography
Index
Series Page
Back Cover
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