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Index
Contents
ACKNOWLEDGMENTS
BEGINNINGS
THE THREE ELEMENTS
I. LINE—NOTAN—COLOR
LINE DRAWING
II.—JAPANESE MATERIALS AND BRUSH PRACTICE
EXERCISE
PRINCIPLES OF COMPOSITION
III.—WAYS OF CREATING HARMONY
PRINCIPLES OF COMPOSITION
EXERCISE
EXERCISE
EXERCISE
LINE
IV.—COMPOSITION IN SQUARES AND CIRCLES
APPLICATIONS
V.—COMPOSITION IN RECTANGLES—VARIATION
EXERCISE
EXAMPLES OF RECTANGULAR DESIGN.
EXERCISE
EXERCISE
VI.—LANDSCAPE COMPOSITION
EXERCISE
PICTURES COMPOSED ON RECTANGULAR LINES.
LANDSCAPE ARRANGEMENT,—VARIATION.
EXERCISE
VII.—COMPOSITION IN REPRESENTATION
NON-REPRESENTATIVE
REPRESENTATIVE
NOTAN
VIII.—HARMONY-BUILDING WITH DARK-AND-LIGHT
EXERCISE
IX.—TWO VALUES—VARIATIONS—DESIGN
METHOD OF STUDY.
EXERCISE
FLOWER COMPOSITIONS TWO VALUES
EXERCISE
TEXTILE PATTERNS AND RUGS TWO VALUES
EXERCISE
X.—TWO VALUES—LANDSCAPE AND PICTURES
EXERCISE
SPOTTING,—NOTAN OF PICTURES.
ORIGINAL PICTORIAL COMPOSITION IN TWO VALUES.
XI.—TWO VALUES—GOTHIC SCULPTURE JAPANESE DESIGN BOOKS. APPLICATIONS OF TWO VALUES
JAPANESE DESIGN BOOKS
APPLICATIONS of NOTAN of TWO VALUES
XII.—THREE VALUES
EXERCISE
THREE GRAYS, A SCALE
LANDSCAPE AND PICTURES
APPLICATIONS, THREE VALUES
XIII.—MORE THAN THREE VALUES
EXERCISE
ILLUSTRATION
ETCHING
PEN DRAWING
PENCIL SKETCHING
INK PAINTING
COLOR
XIV.—COLOR THEORY
EXERCISES
XV.—COLOR DERIVED FROM NOTAN
EXERCISE
HARMONY
XVI.—COLOR SCHEMES FROM JAPANESE PRINTS AND FROM TEXTILES
COMPOSITION
XVII.—IN DESIGN AND PAINTING
WOOD BLOCK PRINTING
CONCLUSION
THE END
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