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Index
THE WORKS OF APHRA BEHN
CONTENTS
ABDELAZER; OR, THE MOOR’S REVENGE THE YOUNG KING; OR, THE MISTAKE THE CITY HEIRESS; OR, SIR TIMOTHY TREAT-ALL THE FEIGN’D CURTEZANS; OR, A NIGHT’S INTRIGUE NOTES
ABDELAZER; OR, THE MOOR’S REVENGE.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
PROLOGUE.
DRAMATIS PERSONAE.
ACT I.
SCENE I. A rich Chamber.
SONG.
SCENE II. A Room in the Palace.
ACT II.
SCENE I. A Chamber of State.
SCENE II. A Banqueting Hall.
ACT III.
SCENE I. A Gallery in the Palace.
SCENE II. The Queen’s Apartments.
SCENE III. Florella’s Lodgings.
ACT IV.
SCENE I. Abdelazer’s Tent.
SCENE II. Philip’s Tent.
SCENE III. A Grave.
SCENE IV. A Grove.
SCENE V. The Grove.
SCENE VI. Changes to a Tent.
SCENE VII. The Grove.
ACT V.
SCENE I. _A Presence-Chamber, with a Throne and Canopy.
SCENE II. A fine Chamber. A Table and Chair.
SCENE III. A Prison.
EPILOGUE.
THE YOUNG KING; OR, THE MISTAKE.
ARGUMENT.
SOURCE.
FOOTNOTES:
THEATRICAL HISTORY.
TO PHILASTER.
PROLOGUE.
DRAMATIS PERSONAE.
ACT I.
SCENE I. A Grove near the Camp.
SCENE II. A Grove of Trees.
ACT II.
SCENE I. A Castle or Prison on the Sea.
SCENE II. Another Room in the Prison. Enter Amintas _in Fetters with _Urania.
SCENE III. A Grove.
SCENE IV. A Chamber.
ACT III.
SCENE I.
SCENE II. A Grove near the Camp.
SCENE III. Scythian Tents.
SCENE IV. The Dacian Tents.
SCENE V. Changes to the Wood.
ACT IV.
SCENE I. A Flat Wood.
SCENE II. Between the two Camps.
SCENE III. A Prison.
SCENE IV. The Scythian Tents.
SCENE V. Cleomena’s Apartments.
SCENE VI. A Street.
SCENE VII. Thersander’s Tent.
ACT V.
SCENE I.
SCENE II. The Grove.
SCENE III. A Prison.
SCENE IV. A Tent.
SCENE V. Changes to Thersander’s Tent.
EPILOGUE.
THE CITY HEIRESS; OR, SIR TIMOTHY TREAT-ALL.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
PROLOGUE,
DRAMATIS PERSONAE.
ACT I.
SCENE I. The Street.
ACT II.
SCENE I. A Room.
SCENE II. The Street.
SCENE III. Changes to a Chamber.
ACT III.
SCENE I. A Room.
ACT IV.
SCENE I. A Dressing-Room.
SCENE II. Changes.
ACT V.
SCENE I. Sir Timothy’s House.
SCENE II. Changes to Wilding’s Chamber.
SCENE III. Changes to Diana’s Chamber.
SCENE IV. Changes to a Street.
SCENE V. Changes to a Chamber.
EPILOGUE.
THE FEIGN’D CURTEZANS; OR, A NIGHT’S INTRIGUE.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
TO MRS. ELLEN GUIN.
PROLOGUE,
DRAMATIS PERSONAE.
ACT I.
SCENE I. A Street.
SCENE II. Draws off to a room in Tickletext’s lodging, and discovers Mr. Tickletext a trimming, his Hair under a Cap, a Cloth before him: Petro snaps his fingers, takes away the Bason, and goes to wiping his face.
ACT II.
ACT III.
SCENE I. The Corso.
ACT IV.
SCENE I.
SCENE II. Changes to a Bed-chamber Alcove.
ACT V.
SCENE I. The Corso.
SCENE II. A Chamber.
SCENE III. Changes to the Street.—Piazo d’.ispagnia.
SCENE IV. Changes to a Chamber.
EPILOGUE.
NOTES.
NOTES ON THE TEXT.
ABDELAZER.
THE CITY HEIRESS.
THE FEIGN’D CURTEZANS.
NOTES: CRITICAL AND EXPLANATORY.
ABDELAZER.
FOOTNOTES:
THE YOUNG KING.
THE CITY HEIRESS.
THE FEIGN’D CURTEZANS.
END OF VOL. II
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