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Index
Historicizing Modernism
Title
Contents
Series Editors’ Preface
Acknowledgments
Introduction: Approaches to classical music in British literature, 1870–1945: Theory and practic
1 The liberalization of music in aesthetic literature: Pater and Oxford
2 Modernism’s distinctive musical rhetoric: Eliot, Huxley, and Woolf
3 The musical refinement of society’s margins: Bennett, Burke, Lawrence, and their contemporaries
4 Distinguishing a musical homoeroticism: Pater, Forster, and their aesthetic descendants
5 Classical music, cosmopolitanism, and war: From authors to audiences
Conclusion: A literary coda: Classical music in British literature
Works Cited
Index
Copyright
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