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Index
Cover
Series Page
Title Page
Acknowledgments
Copyright
Contents
Preface by E. Elias Merhige
Introduction
Film Synopsis
1: Contexts
1.1 The political and social contexts of the Weimar Republic
1.2 The Weimar cinematographic industry
1.3 The German Expressionist movement
1.4 The stylistic traits of Expressionist cinema
2: Bringing the Undead to Life
2.1 The film’s crew
2.2 Production and reception
2.3 Controversy and legal action
2.4 From the page to the screen
3: Reading the Vampire
3.1 The film on DVD
3.2 Reading Nosferatu as a ‘complex discovery plot’
4: Signs and Meanings
4.1 Nosferatu’s style and form
4.2 Interpretations
5: Nosferatu’s Afterlives
5.1 Between tribute and alienation: Herzog’s Nosferatu. Phantom der Nacht
5.2 The artist as despot: Merhige’s Shadow of the Vampire
Appendix: Interview with E. Elias Merhige
Notes
Bibliography
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