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Index
Cover Title page The Editors Dedication Epigraph Table of Contents General editors’ preface Preface Introduction The play Genesis and early performances Genre Structure Music Language Characters The context Domestic politics Brave new world Africa and Ireland Literary forerunners Classical models The ‘salvage man’ Magic Masque The afterlife Restoration rewritings Eighteenth-century ambivalence Romanticism Perspectives on imperialism Re-enter Miranda Freudian influences ‘The Tempest’ on stage and film since 1900 The text Ralph Crane’s manuscript Editorial practices Cruxes Additions and reconsiderations Shakespeare’s sources revisited Afterlife, amended and extended THE TEMPEST Scene 1.1 Scene 1.2 Scene 2.1 Scene 2.2 Scene 3.1 Scene 3.2 Scene 3.3 Scene 4.1 Scene 5.1 Epilogue Appendix 1: Sources 1. Strachey, ‘A True Reportory’ 2. Montaigne, ‘Of the Caniballes’ Appendix 2: Appropriations 1. Browning, ‘Caliban upon Setebos’ 2. Rodó, Ariel 3. Mannoni, Prospero and Caliban Abbreviations and references Abbreviations used in notes Shakespeare’s works and works partly by Shakespeare Editions of Shakespeare collated Other works eCopyright
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