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Index
Cover
Half-Title Page
Series Text
Title Page
Contents
List of Figures
Notes on Contributors
Acknowledgements
Introduction Filippo Carlà-Uhink and Anja Wieber
1 Semiramide in India: The Reception of an Ancient Oriental Warrior Queen in Baroque Opera Kerstin Droß-Krüpe
2 Carian Queens from the Orient to Greece and Back: The Reception of Artemisia I and Artemisia II Irene Berti
3 The Persian Boy, the Bactrian Girl and the Man from Macedon: Gender and Orientalisms in Mary Renault’s Alexander the Great-Trilogy Ann-Cathrin Harders
4 Drypetis in Fact and (Fan)Fiction Sabine Müller
5 Exotic, Erotic, Heroic? Women of Carthage in Western Imagination Marta García Morcillo
6 In the Name of Cleopatra: Emma Hamilton and Catherine Stepney Make Their Mark Mary Hamer
7 Colon(ial)izing Fulvia: (Re)Presenting the Military Woman in History, Fiction and Art Peter Keegan
8 The Oriental Empresses of Rome: Severan Women in Literature and the Performative Arts Martijn Icks
9 The Palmyrene Queen Zenobia in Syrian TV: Inverting Orientalism for Modern Nationhood? Anja Wieber
10 The Dark Gaze of Galla Placidia Christopher Bishop
11 Theodora A.P. (After Procopius) / Theodora A.S. (After Sardou): Metamorphoses of an Empress Filippo Carlà-Uhink
12 From Historical Enigma to Modern Role Model: The Reception of Sāsānid Queen Šīrīn in Contemporary Iranian Cinema Irene Madreiter
13 Instead of a Conclusion: Gynaecocracy in the Orient, Oriental Seclusion in the Occident Beate Wagner-Hasel
Notes
Bibliography
Index
Copyright
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