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Index
Cover  Half title Title Copyright Dedication Contents  Foreword Acknowledgments Reel 1. The Theater
Genesis of the Theater Flashback How the Theater Got Its Name Opening Programs A Family Store Struggles and Obstacles of an Art House Matinees Brief Encounter Walking to Work Cinephiles Monday Nights: Special Series A Phone Call Peter Bogdanovich Events of 1968 Kids Guest Books Things That Bug an Exhibitor—and an Audience Payoffs
Reel 2. Distribution
Bernardo Bertolucci Jean-Luc Godard Ousmane Sembene Point of Order New Yorker Films Cinema Novo and Latin American Films Catalogues Alain Tanner Jack Gelber Nagisa Oshima Satyajit Ray and Ismail Merchant Jacques Tati Yasujiro Ozu Dreamland Problems of Distribution A Last Hurrah Shoah
Reel 3. On Location
New Yorker Bookstore Box Office Candy-Counter Tales
Reel 4. Film Critics
Manny Farber Andrew Sarris Pauline Kael Vincent Canby
Reel 5. Festivals
Cannes Berlin Fassbinder Post-Toronto: 2001
Reel 6. Demolition
The End of New Yorker Films
Reel 7. Epilogue: An Ongoing Reel Appendix 1: Program Notes
Jules Feiffer (Gold Diggers of 1933) Jonas Mekas (Shors and The Massacre) Chandler Brossard (Dead of Night and The Dentist) Harold Humes (The Last Laugh and The Music Box) Robert Brustein (Never Give a Sucker an Even Break and Room Service) Eugene Archer (The Woman Alone [Sabotage] and the Little Match Girl) Terry Southern (A Star Is Born and Lizzies of the Field) Jack Kerouac (Nosferatu, A Corner in Wheat, and Mighty Like a Moose) Jack Gelber (Foolish wives) Herb Gold (Nanook of the North, The River, and The Battle of San Pietro)
Appendix 2: American Theatrical Premieres at the Cinema Studio Appendix 3: American Theatrical Premieres at the Lincoln Plaza Cinemas Guest Books/Sample Pages Ledger from the New Yorker Theater Index Photographs and Stills
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