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Index
Cover
Half title
Title
Copyright
Dedication
Contents
Foreword
Acknowledgments
Reel 1. The Theater
Genesis of the Theater
Flashback
How the Theater Got Its Name
Opening Programs
A Family Store
Struggles and Obstacles of an Art House
Matinees
Brief Encounter
Walking to Work
Cinephiles
Monday Nights: Special Series
A Phone Call
Peter Bogdanovich
Events of 1968
Kids
Guest Books
Things That Bug an Exhibitor—and an Audience
Payoffs
Reel 2. Distribution
Bernardo Bertolucci
Jean-Luc Godard
Ousmane Sembene
Point of Order
New Yorker Films
Cinema Novo and Latin American Films
Catalogues
Alain Tanner
Jack Gelber
Nagisa Oshima
Satyajit Ray and Ismail Merchant
Jacques Tati
Yasujiro Ozu
Dreamland
Problems of Distribution
A Last Hurrah
Shoah
Reel 3. On Location
New Yorker Bookstore
Box Office
Candy-Counter Tales
Reel 4. Film Critics
Manny Farber
Andrew Sarris
Pauline Kael
Vincent Canby
Reel 5. Festivals
Cannes
Berlin
Fassbinder
Post-Toronto: 2001
Reel 6. Demolition
The End of New Yorker Films
Reel 7. Epilogue: An Ongoing Reel
Appendix 1: Program Notes
Jules Feiffer (Gold Diggers of 1933)
Jonas Mekas (Shors and The Massacre)
Chandler Brossard (Dead of Night and The Dentist)
Harold Humes (The Last Laugh and The Music Box)
Robert Brustein (Never Give a Sucker an Even Break and Room Service)
Eugene Archer (The Woman Alone [Sabotage] and the Little Match Girl)
Terry Southern (A Star Is Born and Lizzies of the Field)
Jack Kerouac (Nosferatu, A Corner in Wheat, and Mighty Like a Moose)
Jack Gelber (Foolish wives)
Herb Gold (Nanook of the North, The River, and The Battle of San Pietro)
Appendix 2: American Theatrical Premieres at the Cinema Studio
Appendix 3: American Theatrical Premieres at the Lincoln Plaza Cinemas
Guest Books/Sample Pages
Ledger from the New Yorker Theater
Index
Photographs and Stills
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